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Michael C. McMillen
The work of the highly original and influential artist Michael C. McMillen is reproduced in this retrospective book that presents his fascinating walk-through installations, films, paintings, and sculptures. Since the early 1970s artist Michael C. McMillen has been working to involve his audience directly with his installations. His most renowned works, such as Inner City, The Central Meridian (The Garage), The Pavilion of Rain, Train of Thought, and Red Trailer Motel, are dreamlike and often playfully sinister. Featuring architectural elements that transport the viewer into realms of metaphor and open narrative, these works effectively make the visitor an active participant in the artistic experience. This beautifully illustrated book, spanning more than thirty years of artmaking, features biographical and critical essays by leading curators, critics, and writers along with reproductions of his innovative works.
Coney Island
Published on the occasion of an exhibition of the same name organized by the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, and held there January 31-May 31, 2015; at the San Diego Museum of Art, Calif., July 11-October 13, 2015; at the Brooklyn Museum, N.Y., November 20, 2015-March 13, 2016; and at the McNay Art Museum, San Antonio, Tex., May 11-September 11, 2016.
Reclaiming Control
None
Pandemics
A concise and comprehensive account of pandemics throughout human history, including plague, tubercolosis, smallpox, malaria, cholera, and HIV.
The Front Room
The Front Room: Diaspora Migrant Aesthetics in the Home, originally published in 2009, has become a beloved and much-praised source, providing fascinating revelations into the post-war British experience of immigrants, the decoration of their living spaces and their position in society in relation to decolonisation. The 'front room' (emanating from the Victorian parlour) provides an outlet to respond to the feelings of displacement, exile and alienation and the rebuilding of a home in a strange land. Primarily concerned with Caribbean homes, The Front Room also looks at Moroccan, Surinamese, Antillean and Indonesian migrant groups in Holland--encompassing, through texts, archival documents and artistic photographs, the important cultural markers that are expressed through the domestic interiors of migrants. The author examines how this intimate space within the home raises issues of class, race, migration, aspiration, religion, family, gender, identity and alienation. He also looks at the transition from the colonial post-colonial modernity by placing the book in the context of his own family's migrant experience.
Islamic Finance and the Shari'ah
This book is about how Islamic finance is conducted in contemporary times. It is also about change and how change occurs in two areas. The first area is change in a body of law, both generally and specifically with respect to Islamic Shari`ah in the areas of commerce and finance. The second area is Islamic finance. Change in the Shari`ah and in Islamic finance are intimately and inextricably related: the Shari`ah defines and constrains change in Islamic finance. Legal change necessarily involves consideration of the interpretive modalities that are employed in effecting that legal change, and interpretive modalities in Islamic finance are also considered.The book is divided into four parts. ...
Jackson Pollock
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.
What are Masterpieces
Collection of essays, short stories, poems and an unpublished interview.
Otherworldly
OTHERWORLDY: Optical Delusions and Small Realities illuminates the phenomenal renaissance of interest among artists worldwide in constructing small-scale, hand-built depictions of artificial environments and alternative realities, either as sculpture or as subjects for photography and video. The book features contemporary work by approximately 35 preeminent visual artists who have generated renewed interest in this art form: a diverse group of international practitioners, ranging from sculptors and painters to photographers and videographers. This fully illustrated catalogue will also feature artist biographies and artist statements, and include a curatorial essay by exhibition curator David Revere McFadden that traces the history of dioramas and visual illusions in the historyof the visual arts to Louis Daguerre's innovative dioramas of the early 1800s and provides an interpretive overview of work by all of the featured artists.
Physical
Earlier versions of some of the poems appeared in various magazines and anthologies.
