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The Encyclopaedia of Islam
Oleg Grabar, 'Michael Meinecke and His Last Book.' Thomas Leisten, 'Mashhad al-Nasr: Monuments of War and Victory in Medieval Islamic Art.' Jere L. Bacharach, 'Marwanid Umayyad Building Activities: Speculations on Patronage.' Nuha N.N. Khoury, 'The Meaning of the Great Mosque of Cordoba in the Tenth Century.' Nasser Rabbat, 'Al-Azhar Mosque: An Architectural Chronicle of Cairo's History.' Howyda N. Al-Harithy, 'The Complex of Sultan Hasan in Cairo: Reading between the Lines.' Michael Cooperson, 'Baghdad in Rhetoric and Narrative.' Aptullah Kuran, 'A Spatial Study of Three Ottoman Capitals: Bursa, Edirne, and Istanbul.' Filiz aĥman and Zeren Tanindi, 'Remarks on Some Manuscripts at the Topkapi Palace Treasury in the Context of Ottoman-Safavid Relations.' Yildirim Yavuz, 'The 1922-26 Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin.' Anthony Welch, 'A Medieval Center of Learning in India: The Haus Khas in Delhi.' Alpay zdural, 'On Interlocking Similar or Corresponding Figures and Ornamental Patterns of Cubic Equations.'
Patterns of Stylistic Changes in Islamic Architecture
A collection of four unconventional essays presented by Islamic art and architecture expert Michael Meinecke in lecture form at New York University before his sudden death in 1995. The case studies, representing years of field experience, do not follow the traditional periodic, linear approach of many scholars, instead focusing on changes in local workforces and craftsmen to explain the transformations and development of Islamic architecture. Meinecke discusses the city of Raqqa, the role of the Abbasid dynasty in its development, the architectural history of Busra and Hasankeyf and the influences of other cultures on their buildings, and the ways in which the Mamluk and Ottoman dynastic influences interconnect in Syria, Anatolia, and Egypt. Includes photographs. Annotation copyright by Book News, Inc., Portland, OR
Bibliography of Art and Architecture in the Islamic World (2 Vol. Set)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Glass of the Sultans
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
Facts and Artefacts
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kroger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
Muqarnas
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The Science and Archaeology of Materials
The Science and Archaeology of Materials is set to become the definitive work in the archaeology of materials. Henderson's highly illustrated work is an accessible and fascinating textbook which will be essential reading for all practical archaeologists. With clear sections on a wide range of materials including ceramics, glass, metals and stone, this work examines the very foundations of archaeological study. Anyone interested in ancient technologies, especially those involving high temperatures, kilns and furnaces will be able to follow in each chapter how raw materials are refined, transformed and shaped into objects. This description is then followed by appropriate case studies which pro...
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Everything is on the Move
In this volume, we try to understand the "Mamluk Empire" not as a confined space but as a region where several nodes of different networks existed side-by-side and at the same time. In our opinion, these networks constitute to a great extent the core of the so-called Mamluk society; they form the basis of the social order. Following, in part, concepts refined in the New Area Studies, recent reflections about the phenomenon of the "Empire - State", trajectories in today's Global History, and the spatial turn in modern historiography, we intend to identify a number of physical and cognitive networks with one or more nodes in Mamluk-controlled territories. In addition to this, one of the most important analytical questions would be to define the role of these networks in Mamluk society.
