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Oleg Grabar, 'Michael Meinecke and His Last Book.' Thomas Leisten, 'Mashhad al-Nasr: Monuments of War and Victory in Medieval Islamic Art.' Jere L. Bacharach, 'Marwanid Umayyad Building Activities: Speculations on Patronage.' Nuha N.N. Khoury, 'The Meaning of the Great Mosque of Cordoba in the Tenth Century.' Nasser Rabbat, 'Al-Azhar Mosque: An Architectural Chronicle of Cairo's History.' Howyda N. Al-Harithy, 'The Complex of Sultan Hasan in Cairo: Reading between the Lines.' Michael Cooperson, 'Baghdad in Rhetoric and Narrative.' Aptullah Kuran, 'A Spatial Study of Three Ottoman Capitals: Bursa, Edirne, and Istanbul.' Filiz aĥman and Zeren Tanindi, 'Remarks on Some Manuscripts at the Topkapi Palace Treasury in the Context of Ottoman-Safavid Relations.' Yildirim Yavuz, 'The 1922-26 Restoration Project of the Masjid al-Aqsa by Mimar Kemalettin.' Anthony Welch, 'A Medieval Center of Learning in India: The Haus Khas in Delhi.' Alpay zdural, 'On Interlocking Similar or Corresponding Figures and Ornamental Patterns of Cubic Equations.'
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
The Science and Archaeology of Materials is set to become the definitive work in the archaeology of materials. Henderson's highly illustrated work is an accessible and fascinating textbook which will be essential reading for all practical archaeologists. With clear sections on a wide range of materials including ceramics, glass, metals and stone, this work examines the very foundations of archaeological study. Anyone interested in ancient technologies, especially those involving high temperatures, kilns and furnaces will be able to follow in each chapter how raw materials are refined, transformed and shaped into objects. This description is then followed by appropriate case studies which pro...
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
The scholarly search on the art of the object is of enduring interest and enjoys a new renaissance in the last few years. This book mainly explores the art and craft of Islamic artefacts and presents to the reader a diverse range of approaches. Despite this variety, in which also artefacts of the pre-Islamic, period as well as 'orientalized' European artefacts of the modern era are included, there is an overarching theme - the linking of the interpretation of objects and their specific aesthetics to textual sources and the aim of setting them in historical and artistic context. In this impressive collection honouring the German scholar of Islamic art Jens Kroger on his 65th birthday, Avinoam Shalem and Annette Hagedorn bring together contributions from a highly distinguished group of scholars of Asiatic, Sasanian, Islamic as well as European art history. Unpublished artefacts and new interpretations are presented in this book.
In this volume, we try to understand the "Mamluk Empire" not as a confined space but as a region where several nodes of different networks existed side-by-side and at the same time. In our opinion, these networks constitute to a great extent the core of the so-called Mamluk society; they form the basis of the social order. Following, in part, concepts refined in the New Area Studies, recent reflections about the phenomenon of the "Empire - State", trajectories in today's Global History, and the spatial turn in modern historiography, we intend to identify a number of physical and cognitive networks with one or more nodes in Mamluk-controlled territories. In addition to this, one of the most important analytical questions would be to define the role of these networks in Mamluk society.
Islamic Visual Culture, 1100-1800 is the second in a set of four selections of studies by Oleg Grabar. Its focus is on the key centuries - the eleventh through fourteenth - during which the main directions of traditional Islamic art were created and developed and for which classical approaches of the History of Art were adopted. Manuscript illustrations and the arts of objects dominate the selection of articles, but there are also forays into later times like Mughal India and into definitions of area and period styles, as with the Mamluks in Egypt and the Ottomans, or into parallels between Islamic and Christian medieval arts.
The automobile is going through the biggest transformation in its history. Automation and electrification of vehicles are expected to enable safer and cleaner mobility. The prospects and requirements of the future automobile affect innovations in major technology fields like driver assistance systems, vehicle networking and drivetrain development. Smart systems such as adaptive ICT components and MEMS devices, novel network architectures, integrated sensor systems, intelligent interfaces and functional materials form the basis of these features and permit their successful and synergetic integration. It has been the mission of the International Forum on Advanced Microsystems for Automotive Applications (AMAA) for more than fifteen years to detect novel trends and to discuss the technological implications from early on. Therefore, the topic of the AMAA 2014 will be “Smart Systems for Safe, Clean and Automated Vehicles”. This book contains peer-reviewed papers written by leading engineers and researchers which all address the ongoing research and novel developments in the field.
Rich color illustrations and a scholarly text characterize this catalogue of a landmark exhibition of Mughal carpets held at the Metropolitan Museum of Art, New York, November 1997-March 1998. Though exquisite, Indian carpets are little known even to carpet experts. This volume (and the exhibition) focus on the 16th to the 18th century, a peak period for stunning works. The text surveys the era in terms of history, the role of commerce, technical characteristics, and the carpets themselves, which exemplify the broad range of imperial and provincial production during the "classical" period of Indian carpet weaving. Carpets are organized by style and pattern and include a group from Kyoto. Three appendices analyze animal fibers and dyes. Oversize (9.50x12.25"). Annotation copyrighted by Book News, Inc., Portland, OR