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Like most publishers, we at Brick Road Poetry Press list submission guidelines on our website. Additionally we go beyond the guidelines to include lists of "characteristics we like" and "characteristics we dislike." In Damnatio Memoriae, the winner of the Brick Road Poetry Prize, Michael Meyerhofer gives the impression of having gone down that list to check off each item one by one with almost every poem in the collection. As to the characteristics we dislike, he avoids them all including no "intentional obscurity or riddling," no "highfalutin vocabulary" or "lack of recognizable theme or topic." Without a doubt, these poems reveal wise insights on the human perspective, but never at the cos...
In a land haunted by the legacy of dead dragons, Rowen Locke has been many things: orphan, gravedigger, mercenary. All he ever wanted was to become a Knight of Crane and wield a kingsteel sword against the kind of grown horrors his childhood knows all too well. But that dream crumbled--replaced by a new nightmare. War is overrunning the realms, an unprecedented duel of desire and revenge, steel and sorcery. And for one disgraced man who would be a knight, in a world where no one is blameless, the time has come to decide which side he's on.
Presents a translation of Li Po's poetry (AD 701-762). This book features Li Po's work which is suffused with Taoism and Zen Buddhism.
My Index of Slightly Horrifying Knowledge is a fierce and original collection—its generosity of voice and emotional range announce the arrival of a major new poet. At the age of twelve, Paul Guest suffered a bicycle accident that left him paralyzed for life. But out of sudden disaster evolved a fierce poetic sensibility—one that blossomed into a refuge for all the grief, fury, and wonder at life forever altered. Although its legacy lies in tragedy, the voice of these brilliant poems cuts a broad swath of emotions: whether he is lamenting the potentiality of physical experience or imagining the electric temptations of sexuality, Guest offers us a worldview that is unshakable in its humanity.
“The cross-section of poets with varying poetics and styles gathered here is only one of the many admirable achievements of this volume.” —Claudia Rankine in the New York Times The Golden Shovel Anthology celebrates the life and work of poet and civil rights icon Gwendolyn Brooks through a dynamic new poetic form, the Golden Shovel, created by National Book Award–winner Terrance Hayes. An array of writers—including winners of the Pulitzer Prize, the T. S. Eliot Prize, and the National Book Award, as well as a couple of National Poets Laureate—have written poems for this exciting new anthology: Rita Dove, Billy Collins, Danez Smith, Nikki Giovanni, Sharon Olds, Tracy K. Smith, Mark Doty, Sharon Draper, Richard Powers, and Julia Glass are just a few of the contributing poets. This second edition includes Golden Shovel poems by two winners and six runners-up from an international student poetry competition judged by Nora Brooks Blakely, Gwendolyn Brooks’s daughter. The poems by these eight talented high school students add to Ms. Brooks’s legacy and contribute to the depth and breadth of this anthology.
Three years after the War of the Lotus, alliances have already begun to unravel. As Rowen Locke struggles to maintain peace, troubling news reaches him from every corner. Persecution of the Shel'ai has reignited in the south, spurred on by a fanatical priest. To the north, the Isle Knights are withering under the leadership of mad Crovis Ammerhel. Old friends fight each other when not drowning their sorrows in taverns. A new threat emerges from across the sea, dispatched by the same exiled Dragonkin who have been plotting their revenge for centuries. Rowen and his companions soon realize that the target is the Dragonward itself: their one and only defense against an evil so vast even Knightswrath could not vanquish it.
More than sixty years after the The Twilight Zone debuted on television, the show remains a cultural phenomenon, including a feature film, three television reboots, a comic book series, a magazine and a theatrical production. This collection of new essays offers a roadmap through a dimension not only of sight and sound, but of mind. Scholars, writers, artists and contributors to the 1980s series investigate the many incarnations of Rod Serling's influential vision through close readings of episodes, explorations of major themes and first-person accounts of working on the show.
The Cradle Place is a collection from Thomas Lux, a self-described "recovering surrealist" and winner of the Kingsley Tufts Award. These fifty-two poems bring to full life the "refreshing iconoclasms" Rita Dove so admired in Lux's earlier work. His voice is plainspoken but moody, humorous and edgy, and ever surprising. These are philosophical poems that ask questions about language and intention, about the sometimes untidy connections between the human and natural worlds. In the poem "Terminal Lake," Lux undermines notions of benign nature, finding dark currents beneath the surface: "it's a huge black coin, / it's as if the real lake is drained / and this lake is the drain: gaping, language-...
Ret McCoy was always the new kid, but after three years in the small town of Riverton, he thinks his family may have finally settled. He and his friends have the perfect summer planned before they start seventh grade, and his new job at the local mortuary promises enough pocket money for all the sodas they can drink. A dare from an older boy quickly ruins their plans. Everyone knows to stay away from the Crooked House, but after Ret and his friends take on the dare to spend the night in the abandoned house, they become caught up in the house’s dark history. Later, an outsider buys the house. When people start to disappear, Ret is determined to solve the mystery before it swallows the entire town. His obsession with the Crooked House and its strange new owner threatens to put him and his friends in danger more terrifying than anything they could have imagined.
In Directing Herbert White James Franco writes about making a film of Frank Bidart's poem, Herbert White. Though the main character, Herbert White is a necrophiliac, and a killer, the poem - and the film - are an expression of life's isolation and loneliness. A poem became a film. In the rest of book, Franco uses poems to express what he feels about film: about acting; about the actors he admires - James Dean, Marlon Brando, Sean Penn; about the cult of celebrity and his struggles with it; about his teenage years in Palo Alto, and about mortality prompted by the death of his father. These preoccupations are handled with a simplicity and directness that recalls the work of Frank O'Hara.