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Ransom
**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021** *A FINANCIAL TIMES 'BOOKS OF 2021' PICK* Ransom, the new collection from Michael Symmons Roberts, is an intense and vivid exploration of liberty and limit, of what it means to be alive, and searches for the possibility of hope in a fallen, wounded world. The poems in Ransom display all the lyrical beauty and metaphysical ambition for which his work is acclaimed, but with a new urgency, a ragged edge to what the Independent described as his 'dazzling elegance'. At the heart of this new book are three powerful sequences - one set in occupied Paris, one an elegy for his father, and one a meditation on gratitude - that work at the edges of belief and doubt, both mystical and philosophical. The idea of 'ransom' is turned and turned again, poem by poem, seen through the lenses of personal grief and loss, cinematic scenes of kidnap and release, narratives of incarnation and atonement. This is a profound and timely book from one of our finest poets.
Food Law in the United States
This is the first comprehensive legal treatise on US food law for lawyers, judges, students, and consumer advocates.
Broke But Not Broken
Broke but Not Broken is the true account of a Phoenix Homebuilder who went from a net worth of $46 million to Bankrupt just 18 months later. It is a very small account of the Housing collapse. It is however a big account of a man, a man much like each and every one of us. A man who made it to the big time only to have it all ripped away. The company and Mike Roberts were forced into Bankruptcy. The gritty account of the events surrounding the collapse are well documented here. As Mr. Roberts looked for an out it appeared the only way out was to end it all. In the final moment he rose from the floor and decided to fight on. Broke but not Broken takes you on the ride of a rich Scottsdale home ...
How Art Made Pop and Pop Became Art
From dada to Gaga and beyond, How Art Made Pop examines the intertwined histories of pop music and the visual arts from the late 1950s to the present day. In particular, this remarkable and definitive study explores in exhaustive detail the exhilarating exchange between the art schools and the pop stars that they nurtured (or, occasionally, expelled). Through a writhing, hedonistic hurly burly of numerous artists and musicians including Marcel Duchamp, the Beatles, Yoko Ono, Andy Warhol, the Velvet Underground, Gilbert & George, Kraftwerk, David Bowie, Richard Hamilton, Roxy Music, Patti Smith, Sex Pistols, Talking Heads, Factory Records, Jean-Michel Basquiat, the KLF and Jay Z amongst others How Art Made Pop encompasses the worldwide history of art school rock, and brings the story up to date by contextualizing the practices of the many contemporary visual artists and artist-musicians still dazzled by pop's vital spark."--Amazon.com.
The Half Healed
The poems in Michael Symmons Roberts's fifth collection move in a world riven by violence and betrayal, between nations and individuals. As ever, this is a metaphysical poetry rooted in physical detail - but the bodies here are displaced, disguised, in need of rescue. A man in a fox suit prowls the woods afraid of meeting true foxes, while a vixen dressed as a man moves among the powerful at society soirées. God no longer 'walks in his garden in the cool of the day', but drives through a damaged city in the small hours. At the same time a couple celebrate armistice with an act of love in an anonymous hotel room. As the judges of the Whitbread Prize noted, Roberts' poetry 'inspires profound meditation on the nature of the soul, the body, the stars and the heart - and sparks revelation.' Roberts is a poet of unusual range and dexterity, fascinated by faith and science, by the physical and the transcendental, and with this new book he confirms his position as a truly original, and thrillingly gifted, lyric poet.
The Snippy World of New Yorker Fashion Artist Michael Roberts
"Michael Roberts is the Jean Cocteau of the fashion world," wrote the celebrated New Yorker editor Tina Brown in 1997, welcoming her new fashion editor to the most prestigious magazine in the world. Having already served for many years as a style editor (The London Sunday Times, Vanity Fair) and having produced numerous illustrations, photographs, paintings and columns of fashion criticism for various media, Roberts had already had his name coupled with Cocteau's, but his striking visual style is collected here for the first time. From evocative pen-and-ink sketches to acrylic paintings to intensely witty New Yorker covers created from cut paper, these works capture the fads, foibles and fas...
The Long Depression
Setting out from an unapologetic Marxist perspective, The Long Depression argues that the global economy remains in the throes of a depression. Making the case that the profitability of capital is too low, and the debt built up before the Great Recession too high, leading radical economist Michael Roberts persuasively presents his case that this depression will persist until the profitability of capital is restored through yet another slump.
The Faber Book of Modern Verse
First published in February 1936, just under a year from when the idea for it was first discussed, this is one of the most important and influential anthologies of the twentieth century. Since then three further editions by, in succession, Anne Ridler, Donald Hall and Peter Porter have been published. All took as their kernel the original selection by Michael Roberts. This "Faber Finds" reissue restores that pristine selection. More likely than not, the original idea was T. S. Eliot's, the choice of editor was undoubtedly his, and it was an inspired one. Michael Roberts was a poet himself, and a good one, but more important for this task was his acute awareness of the poetry scene, and his s...
Gates and Stiles
This book looks at the many types of farm gates and stiles together with their history and manufacture, the different patterns of gates, the construction of gates, the origins of footpaths and much more. Keen walkers can tick off the gates and stiles seen.
