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owlmouth is a poetry collection about transformation. Desmarais (Métis, Dakota, European) offers perspectives on the environment, being-in-relationship, the need for change and the process of healing.
Originally published as the The Continuum Companion to Religion and Film, this Companion offers the definitive guide to study in this growing area. Now available in paperback, the Bloomsbury Companion to Religion and Film covers all the most pressing and important themes and categories in the field - areas that have continued to attract interest historically as well as topics that have emerged more recently as active areas of research. Twenty-nine specifically commissioned essays from a team of experts reveal where important work continues to be done in the field and provide a map of this evolving research area. Featuring chapters on methodology, religions of the world, and popular religious themes, as well as an extensive bibliography and filmography, this is the essential tool for anyone with an interest in the intersection between religion and film.
“Instead of trying to find time in your day for self-care, yoga-therapist Amendola suggests scheduling your life around your practices, aiming for a stress-free, healing existence. Under her expert guidance, this not only seems enticing but possible.” - Booklist, Starred Review "An excellent starting point for those of all abilities and in all walks of life looking to create habits that support their cardiac and spiritual health.” - Library Journal Gold Medalist, Relaxation and Mindfulness Category, Living Now Book Awards, 2024 Stress is often the first domino in chronic illness and disease. Too often, however, doctors have little training or information to offer patients about managin...
Is cinema evil, or sacramental? Can films make theological contributions? Can film-viewing be a religious practice? How do films, values and power interact? The study of film and religion engages a range of diverse questions through different approaches and methods. In this contribution, I distinguish three complementary approaches. In the first part, I discuss those that focus on the film as text, the representation of religion in film, and how theology happens in film. The next section will broaden this perspective by taking into consideration how films affect audiences, and how the relationship between film and audience might have religious dimensions or serve religious functions. In the ...
In The Theology of Amos Yong and the New Face of Pentecostal Scholarship, Wolfgang Vondey and Martin William Mittelstadt gather a table of experts on one of the most influential voices in current Pentecostal theology. The authors provide an introduction and critical assessment of Yong’s biblical foundations, hermeneutics, epistemology, philosophical presuppositions, trinitarian theology, theology of religions, ecumenical and interfaith relations, theology of disability, engagement with contemporary culture, and participation in the theology and science conversation. These diverse topics are pursued through the complementary perspectives that together shape Yong’s methodology: pneumatology, pentecostalism, and the possibility of renewal. The contributors invite a more thorough reading of Yong’s work and propose a more substantial engagement with the new face of Pentecostal scholarship. Contributors include Andrew Carver, Jacob D. Dodson, Jeff Hittenberger, Mark Mann, Martin William Mittelstadt, L. William Oliverio, Jr., David A. Reed, Tony Richie, Christopher A. Stephenson, Steven M. Studebaker, Paraskevè (Eve) Tibbs, and Wolfgang Vondey.
Screening the Afterlife is a unique and fascinating exploration of the ‘last things’ as envisaged by modern filmmakers. Drawing on a range of films from Flatliners and What Dreams May Come to Working Girl and The Shawshank Redemption, it offers the first comprehensive examination of death and the afterlife within the growing field of religion and film. Topics addressed include: the survival of personhood after death the language of resurrection and immortality Near-Death Experiences and Mind-Dependent Worlds the portrayal of ‘heaven’ and ‘hell’. Students taking courses on eschatology will find this a stimulating and thought provoking resource, while scholars will relish Deacy’s theological insight and understanding.
In this study of the influence of Indian metaphysics on Lawrence Durrell’s novels, Professor Nambiar offers a unique milestone in the history of Durrellian criticism. Embracing Durrell’s search for universal awareness through Western and Indian metaphysics, the book presents a new metaphysical reading of the writer’s prose that has remained untapped until now. Exploring Durrell’s quest for a new reality through fiction, Nambiar focuses in-depth on The Avignon Quintet and questions the complex symbolic patterns that shape the polymorphous characters’ peregrinations through space and time. With much subtlety, modesty and wit, Indian Metaphysics in Lawrence Durrell’s Novels opens up the mysterious doors of “the kingdom of the imagination”.
Artistic expression frequently engages with the question of suffering. In so doing, it confronts the gravity and complexity of the human condition. This volume investigates the relationship between art and suffering. In short, the contributors to this volume collectively demonstrate that suffering is an undisputed and shareable motivating experience. This collection features original essays that focus on the subject of art and suffering, including topics such as the representation of violence and the intersections of art and human rights. Some of the key questions explored are as follows: How has suffering motivated artists around the world? How have artists used their platforms to call attention to human rights abuses? How can suffering be incorporated responsibly and ethically in works of art? What role does art play in the struggle against violations of human dignity and the promotion of building a more equitable world? Each essay is complemented by full-color reproductions of artistic works that illustrate the concepts being discussed, including a graphic essay on the topic of “comfort women.”
There is considerable interest now in the contemporary lives of the so-called traditional medicines of South Asia and beyond. "Doctoring Traditions, "which examines Ayurveda in British India, particularly Bengal, roughly from the 1860s to the 1930s, is a welcome departure even within the available work in the area. For in it the author subtly interrogates the therapeutic changes that created modern Ayurveda. He does so by exploring how Ayurvedic ideas about the body changed dramatically in the modern period and by breaking with the oft-repeated but scantily examined belief that changes in Ayurvedic understandings of the body were due to the introduction of cadaveric dissections and Western anatomical knowledge. "Doctoring Traditions" argues that the actual motor of change were a number of small technologies that were absorbed into Ayurvedic practice at the time, including thermometers and microscopes. In each of its five core chapters the book details how the adoption of a small technology set in motion a dramatic refiguration of the body. This book will be required reading for historians both of medicine and South Asia.
Introduces key concepts and debates in health humanities and the health professions. Keywords for Health Humanities provides a rich, interdisciplinary vocabulary for the burgeoning field of health humanities and, more broadly, for the study of medicine and health. Sixty-five entries by leading international scholars examine current practices, ideas, histories, and debates around health and illness, revealing the social, cultural, and political factors that structure health conditions and shape health outcomes. Presenting possibilities for health justice and social change, this volume exposes readers—from curious beginners to cultural analysts, from medical students to health care practitio...