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Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape. The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces. These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world's literary repository but also the work of contemporary Bulgarian diaspora authors. Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
Female Agencies and Subjectivities in Film and Television
This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.
Elective Affinities
From the nineteenth century to the present, literary entanglements between Latin America and East Central Europe have been socio-politically and culturally diverse, but never random. The Iron Curtain, in particular, forced both regions to negotiate transatlantic «elective affinities», to take a stance in relation to the West, and to position themselves within world literature. As a result, the intellectual fields and creative productions of these regions have critically engaged with notions such as «post-imperial», «marginal», or «peripheral». In this edited volume, scholars from Germany, Brazil, Czech Republic, Hungary, Mexico, Poland, Slovenia, and Spain cross the globe from South to East and back to uncover transcultural and transareal convivialities. Their papers explore literary history, poetics, intellectual networks, and aesthetic theory, while discussing new key concepts in global literary history.
Bulgarian Literature as World Literature
Bulgarian Literature as World Literature examines key aspects and manifestations of 20th- and 21st-century Bulgarian literature by way of the global literary landscape. The first volume to bring together in English the perspectives of prominent writers, translators, and scholars of Bulgarian literature and culture, this long-overdue collection identifies correlations between national and world aesthetic ideologies and literary traditions. It situates Bulgarian literature within an array of contexts and foregrounds a complex interplay of changing internal and external forces. These forces shaped not only the first collaborative efforts at the turn of the 20th century to insert Bulgarian literature into the world's literary repository but also the work of contemporary Bulgarian diaspora authors. Mapping histories, geographies, economies, and genetics, the contributors assess the magnitudes and directions of such forces in order to articulate how a distinctly national, "minor" literature--produced for internal use and nearly invisible globally until the last decade--transforms into world literature today.
World Literature in the Soviet Union
This is the first volume to consistently examine Soviet engagement with world literature from multiple institutional and disciplinary perspectives: intellectual history, literary history and theory, comparative literature, translation studies, diaspora studies. Its emphasis is on the lessons one could learn from the Soviet attention to world literature; as such, the present volume makes a significant contribution to current debates on world literature beyond the field of Slavic and East European Studies and foregrounds the need to think of world literature pluralistically, in a manner that is not restricted by the agendas of Anglophone academe.
Francophone Literature as World Literature
Francophone Literature as World Literature examines French-language works from a range of global traditions and shows how these literary practices draw individuals, communities, and their cultures and idioms into a planetary web of tension and cross-fertilization. The Francophone corpus under scrutiny here comes about in the evolving, markedly relational context provided by these processes and their developments during and after the French empire. The 15 chapters of this collection delve into key aspects, moments, and sites of the literature flourishing throughout the francosphere after World War II and especially since the 1980s, from the French Hexagon to the Caribbean and India, and from Québec to the Maghreb and Romania. Understood and practiced as World Literature, Francophone literature claims--with particular force in the wake of the littérature-monde debate--its place in a more democratic world republic of letters, where writers, critics, publishers, and audiences are no longer beholden to traditional centers of cultural authority.
Samuel Beckett as World Literature
The essays in this collection provide in-depth analyses of Samuel Beckett's major works in the context of his international presence and circulation, particularly the translation, adaptation, appropriation and cultural reciprocation of his oeuvre. A Nobel Prize winner who published and self-translated in both French and English across literary genres, Beckett is recognized on a global scale as a preeminent author and dramatist of the 20th century. Samuel Beckett as World Literature brings together a wide range of international contributors to share their perspectives on Beckett's presence in countries such as China, Japan, Serbia, India and Brazil, among others, and to flesh out Beckett's relationship with postcolonial literatures and his place within the 'canon' of world literature.
Multilingual Literature as World Literature
Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures. The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into cont...
Graphic Novels and Comics as World Literature
Graphic narratives are one of the world's great art forms, but graphic novels and comics from Europe and the United States dominate scholarly conversations about them. Building upon the little extant scholarship on graphic narratives from the Global South, this collection moves beyond a narrow Western approach to this quickly expanding field. By focusing on texts from the Middle East, Africa, Latin America, and Asia, these essays expand the study of graphic narratives to a global scale. Graphic Novels and Comics as World Literature is also interested in how these texts engage with, fit in with, or complicate notions of World Literature. The larger theoretical framework of World Literature is joined with the postcolonial, decolonial, Global South, and similar approaches that argue explicitly or implicitly for the viability of non-Western graphic narratives on their own terms. Ultimately, this collection explores the ways that the unique formal qualities of graphic narratives from the Global South intersect with issues facing the study of international literatures, such as translation, commodification, circulation, Orientalism, and many others.
Dutch and Flemish Literature as World Literature
The recent return of 'world literature' to the centre of literary studies has entailed an increased attention to non-European literatures, but in turn has also further marginalized Europe's smaller literatures. Dutch and Flemish Literature as World Literature shows how Dutch-language literature, from its very beginnings in the Middle Ages to the present, has not only always taken its cue from the 'major' literary traditions of Europe and beyond, but has also actively contributed to and influenced these traditions. The contributors to this book focus on key works and authors, providing a concise, yet highly readable, history of Dutch-language literature and demonstrating how this literature is anchored in world literature.
