Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Korean Contemporary Art
This unique survey examines the contemporary art scene in Korea, which is one of the most dynamic and least known areas of the contemporary art world. The works of today's Korean artists are rarely found between the pages of any general art book, yet they ahve become a major force in the global art world. Korea is rich with internationally renowned painters, photographers, and multi-media artists. This book features Korea's most talented and prolific artists and their works, from the powerful and grand-scale installations of Do Ho Suh and the eye-popping sculptures of Choi Jeong-Hwa to the minimalist performance of Kimsooja, and the intellectually challenging videos and sculptures of Michael Joo. The artists' diverse bodies of work often deal with issues relating to tradition, politics, society, alienation, identity, and popular culture. This generously illustrated and engagingly written volume offers a concise introduction to the world of contemporary Korean art.
K-art
This book seeks to help readers overseas gain a comprehensive understanding of Korean contemporary art by examining its various features and movements. Featured are the artists who have come to represent Korea since the modern concept of art was accepted, especially those active since the major expansion of Korean art overseas in the 2000s. The book also discusses the works of artists preceding that time, and finally the various spaces for Korean contemporary art, including exhibition halls, biennales, and art markets. Korean Contemporary Art, an Emerging Powerhouse of the Art World The Place of K-Art in the World K-Art, Crossing Boundaries Success of Korean Artists in Foreign Auctions Leadi...
Weaving Time 2015
A Catalogue of the third archive exhibition from the AHL Foundation's Archive of Korean Artists in America
POSTMODERNISM AND AESTHETICS: COLLIDE OR STEER?
Postmodernism and Aesthetics: Collide or Steer presents twenty-two artists who were awardees of the contemporary visual art competition by the AHL Foundation. All of them spent their youth in the 1990s as immigrant artists or as fine art students studying-abroad in the United States. While postmodernism gained momentum in South Korea during an economic boom in the 1990s, a milieu of fine arts departments at major universities as well as art markets in Seoul, still maintained a purity of high modernism in abstract painting. Organized by curator and professor Kyunghee Pyun at the Fashion Institute of Technology, this exhibition overviews the current status of twenty-two artists from Korea living and working in the United States. The show divided artists and their works into most popular binary themes of postmodernism and high modernism such as appropriation/originality; local/ international; simulacra/real; banal/avant-garde; and personal/universal.
Interpreting Modernism in Korean Art
This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern spaces for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, the history of Asia, Asian studies, colonialism, nationalism, and cultural identity.
Chaotic Harmony
"Presents the latest developments in Korean photography with a survey of works by forty leading contemporary photographers, two essays, artists' biographies, and a chronology"--Résumé de l'éditeur.
Re-imagining Asia
Beyond the often-mythologized idea of Asia, the contributors of Re-Imagining Asia investigate artistic heritage, political orientation, and the tensions between tradition and modernity. Through the visual image and the written word, they move toward a definition of Asian values--both aesthetic and intellectual. Lavishly illustrated, with artist biographies and exhibition histories. Shaheen Merali, artist and curator, is head of the Department of Exhibition, Film and New Media at the House of World Cultures in Berlin. He has exhibited internationally in Barcelona, London, New York City (Queens Museum of Art and Bronx Museum of the Arts), Singapore, and Vienna. He is the author of Blackpop (Saqi Books) and the editor of New York States of Mind (Saqi Books).
Korea
None
Die Weltkunst
None
