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Este livro é fruto do trabalho de doutoramento da autora e tem como objetivo relatar e analisar o processo de inserção de uma psicóloga em um dos campi do Ifes, desde a entrada e aproximação com o campo, a busca por um referencial teórico, até a proposição e análise das intervenções realizadas. Editora: Edifes Ano: 2018
Esta coletânea apresenta relatos da atuação de profissionais com formação e abordagens teóricas diversas. Os textos aqui reunidos demonstram o esforço de profissionais de diferentes áreas de conhecimento de pensar seu trabalho a partir de novas demandas. Estando estas atreladas ao fato de que as Instituições Federais de Ensino ocupam-se também da educação de jovens e adultos, o que se revela como um desafio enorme, pois demanda conhecimento e criatividade. Editora: Edifes Ano: 2019
Case Studies in School Psychology is the first textbook to comprehensively introduce the NASP Practice Model through active discussion of real-life, school-based examples of issues facing school psychologists. Incorporating all 10 domains of practice, these true-to-life scenarios span individual child, class-wide, school-wide, and district/community-wide organizational levels across multiple age and developmental ranges. Graduate students will better understand their expansive roles and potential avenues to make positive impacts as school psychologists in children’s academic, social, emotional, and behavioral development.
The 'invisible masterpiece' is an unattainable ideal, a work into which a dream of absolute art is incorporated but can never be realized. By means of this metaphor borrowed from Balzac, Hans Belting shows the variety of ways in which the status and meaning of the masterpiece have been elevated and denigrated since the early nineteenth century. The history of the masterpiece coincided with the history of the public museum. Leonardo's Mona Lisa and other celebrated paintings preoccupied later artists, who felt burdened by the one-time cult of the masterpiece as it had been transformed into the cult of visible works of art. Following Duchamp, artists became increasingly resistant to the notion of the masterpiece. Beginning in the 1960s, Conceptual and Minimal artists concentrated on ephemeral forms and manufactured multiple copies in order to reject the outmoded status of the one-off masterpiece and the art market that fed off it. The Invisible Masterpiecereveals works, events and individuals in the history of Western art in a wholly novel way.
This bilingual edition, based on a reexamination of the Old French manuscript, makes Silence available to specialists and students in various fields of literature, to those in women's studies and, most important, to everyone who loves a first-rate story.
Il libro, interamente in inglese, è pensato per un corso di lingua da due moduli (sei crediti) nelle lauree triennali. Ciascuna unità didattica fornisce agli studenti gli strumenti per esercitarsi su una forma o struttura grammaticale e contiene testi in cui compaiono termini ricorrenti in una pluralità di linguaggi specialistici. Integrando il metodo comunicativo con testi costruiti intorno a temi storici o di attualità , il volume intende combinare lo studio di nozioni grammaticali di base e avanzate con la trasmissione di informazioni sulla geografia umana e storica, le istituzioni, la società , l'economia e il dibattito politico nella Gran Bretagna contemporanea. Annotation Supplied by Informazioni Editoriali
D. W. Winnicott and Jacques Lacan, two of the most innovative and important psychoanalytic theorists since Freud, are also seemingly the most incompatible. And yet, in different ways, both men emphasized the psychic process of becoming a subject or of developing a separate self, and both believed in the possibility of a creative reworking or new beginning for the person seeking psychoanalytic help. The possibility of working between their contrasting perspectives on a central issue for psychoanalysis - the nature of the human subject and how it can be approached in analytic work - is explored in this book. Their differences are critically evaluated, with an eye toward constructing a more effective psychoanalytic practice that takes both relational and structural-linguistic aspects of subjectivity into account. The contributors address the Winnicott-Lacan relationship itself and the evolution of their ideas, and provide detailed examples of how they have been utilized in psychoanalytic work with patients. Contributors: Jeanne Wolff Bernstein, James Gorney, Andre Green, Mardi Ireland, Lewis Kirshner, Deborah Luepnitz, Mari Ruti, Alain Vanier, Francois Villa .
This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.
Review: "Unlike Machiavelli-inveterate dreamer and cynic-Guicciardini's mind is remarkable for the balance and masterly coolness of its judgment."-Federico Chabod "In the history of Renaissance thought, Guicciardini's Ricordi occupy a place of singular importance. Few works of the sixteenth century allow us so penetrating an insight into the views and sentiments of its author as these reflections of the great Italian historian. . . . Like Machiavelli's Prince, the Ricordi form one of the outstanding documents of a time of crisis and transition; but unlike the Prince, they range over a wide field of private as well as public life. In doing so, they revel the man as well as the political theorist."-Nicolai Rubenstein, from the Introduction.