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Dharmakirti on the Duality of the Object
According to one of the most fundamental tenets in Indian Buddhist epistemology, there are only two means of knowledge - perception and inference - because there are only two objects of knowledge: the particular and the universal. This book deals with this tenet as it was expounded and substantiated in Dharmakirti's (7th c.) magnum opus, the Pramanavarttika, a work that has exerted lasting influence on Buddhist philosophy in India and Tibet up to the present day. (Series: Leipzig Studies on Culture and History of South and Central Asia / Leipziger Studien zu Kultur und Geschichte Sud- und Zentralasiens - Vol. 5) [Subject: Buddhism, Religious Studies, Philosophy]
Omniscience and Religious Authority
During the Middle Ages, the relationship between the Buddha's omniscience and his religious authority was a major issue in Buddhist thought. One of the most extensive and sophisticated discussions on this topic is found in the Pramanavarttikalankarabhasya, the magnum opus of the 8th-century Buddhist master Prajnakaragupta. In this study, author Shinya Moriyama combines philological acumen with philosophical analysis to present Prajnakaragupta's innovative ideas, offering an important introduction to his religious thought in its historical context of post-Dharmakirtian Buddhist Ã?Â?epistemology. (Series: Leipziger Studien zu Kultur und Geschichte Sud- und Zentralasiens / Leipzig Studies on Culture and History of South and Central Asia - Vol. 4)
The Routledge Handbook of Indian Buddhist Philosophy
The Routledge Handbook of Indian Buddhist Philosophy is the first scholarly reference volume to highlight the diversity and individuality of a large number of the most influential philosophers to have contributed to the evolution of Buddhist thought in India. By placing the author at the center of inquiry, the volume highlights the often unrecognized innovation and multiplicity of India’s Buddhist thinkers, whose unique contributions are commonly subsumed in more general doctrinal presentations of philosophical schools. Here, instead, the reader is invited to explore the works and ideas of India’s most important Buddhist philosophers in a manner that takes seriously the weight of their p...
Indian Epistemology and Metaphysics
Indian Epistemology and Metaphysics introduces the reader to new perspectives on Indian philosophy based on philological research within the last twenty years. Concentrating on topics such as perception, inference, skepticism, consciousness, self, mind, and universals, some of the most notable scholars working in classical Indian philosophy today examine core epistemological and metaphysical issues. Philosophical theories and arguments from a comprehensive range of Indian philosophical traditions (including the Nyaya, Mimamsa, Saiva, Vedanta, Samkhya, Jain, Buddhist, materialist and skeptical traditions, as well as some 20th century thought) are covered. The contributors to this volume appro...
The Ubiquitous Siva Volume II
This is a sequel to a volume published in 2011 by OUP under the title The Ubiquitous Śiva: Somānanda's Śivadṛṣṭi and his Tantric Interlocutors. The first volume offered an introduction, critical edition, and annotated translation of the first three chapters of the Śivadṛṣṭi of Somānanda, along with its principal commentary, the Śivadṛṣṭivṛtti, written by Utpaladeva. It dealt primarily with Śaiva theology and the religious views of competing esoteric traditions. The present volume presents the fourth chapter of the Śivadṛṣṭi and Śivadṛṣṭivṛtti and addresses a fresh set of issues that engage a distinct family of opposing schools and authors of mainstr...
Hegels Religionsphilosophie
In diesem Band schließt Pirmin Stekeler sein umfangreiches Kommentarwerk zu Hegels Philosophie mit einem dialogischen Kommentar zur Religionsphilosophie ab, der logischtheologischen Summe von Hegels Denken. Das Eigenwillige in Hegels Schreib- und Redestil schreckt ab. Erst recht aber führt das Unverstandene in seinen Analysen gerade der Religionsphilosophie zu weit auseinanderliegenden Interpretationen. Wie schon im impliziten Dauerdialog Sören Kierkegaards mit Hegels Werk sind die üblichen Darstellungen unklarer als die Sammlungen der in ihnen zumeist willkürlich ausgewählten Zitate. Deshalb bedarf es im Interesse der Sache eines dialogischen Kommentars. Im Ganzen des Textes wird dann...
Thinking with the Yoga Sutra of Patañjali
This book presents contemporary scholarship on the Yoga Sūtra. It revisits Patañjali’s philosophy by bringing it into dialogue with contemporary concerns across a variety of topics and perspectives. Questions regarding the role of the body in the practice of classical yoga, the debate between the realistic or idealistic interpretation of the text, the relation between Yoga and other Indian philosophical schools, the use of imagination in the pursuit of self-knowledge, the interplay between consciousness and nature, the possibilities and limitations of using it as a therapeutic philosophy, the science of meditation, and overcoming our fear of death probe the many dimensions that this text continues to offer for thought and reflection.
An Introduction to Japanese Folk Performing Arts
Japanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
