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The Butterfly's Burden
Newest work from Mahmoud Darwish--the most acclaimed poet in the Arab world
A River Dies of Thirst
"Darwish is the premier poetic voice of the Palestinian people . . . lyrical, imagistic, plaintive, haunting, always passionate, and elegant—and never anything less than free—what he would dream for all his people." — Naomi Shihab Nye "Catherine Cobham's translations sway delicately between mystery and clarity, giving a rendition of the master's voice that should impress both those reading Darwish's work for the first time and those who are already familiar with it." — Fady Joudah, The Guardian This remarkable collection of poems, meditations, fragments, and journal entries was Mahmoud Darwish’s last volume to come out in Arabic. River is at once lyrical and philosophical, questioning and wise—full of irony, resistance, and play. Darwish’s musings on unrest and loss dwell on love and humanity; in the pages of River, myth and dream are inseparable from truth. Throughout this personal collection, Darwish returns frequently to his ongoing (and often lighthearted) conversation with death, warning that “eternity does not visit graves and loves to joke.”
Mural
"The most celebrated writer of verse in the Arab world." –Adam Shatz, The New York Times Poetry from former national poet of Palestine, illustrated by original drawings by John Berger Mahmoud Darwish was the Palestinian national poet. One of the greatest poets of the last half century, his work evokes the loss of his homeland and is suffused with the pain of dispossession and exile. His poems display a brilliant acuity, a passion for and openness to the world and, above all, a deep and abiding humanity. Here, his close friends John Berger and Rema Hammami present a beautiful new translation of two of Darwish’s later works. Illustrated with original drawings by John Berger, Mural is a testimony to one of the most important and powerful poets of our age.
Memory for Forgetfulness
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Foreword; Introduction; Memory for Forgetfulness.
Journal of an Ordinary Grief
Winner of the 2011 PEN Translation Prize A collection of autobiographical essays by one of the greatest poets to come from Palestine. Indispensable reading for anyone interested in the roots and ramifications of the Israeli and Palestinian conflict. Muhawi's own prose and meticulous footnotes are impeccable. An inspired and scholarly piece of research. —Words Without Borders “Every beautiful poem is an act of resistance,” writes Mahmoud Darwish. In these probing essays, Darwish, a voice of the Palestinian people and one of the most transcendent poets of his generation, interrogates the experience of occupation and the meaning of liberation. Calling upon myth, memory, and language, these essays delve into the poet’s experience of house arrest, his encounters with Israeli interrogators, and the periods he spent in prison. Meditative, lyrical, and rhythmic—Darwish gives absence a vital presence in these linked essays. Journal is a moving and intimate account of the loss of homeland and, for many, of life inside the porous walls of occupation—no ordinary grief.
Why Did You Leave the Horse Alone?
Mahmoud Darwish is one of the greatest poets of our time. In his poetry Palestine becomes the map of the human soul. — Elias Khoury The book tugs at the reader’s heart page after page, poem after poem, line after line, you cannot remain apathetic for a moment… —Haaretz At once an intimate autobiography and a collective memory of the Palestinian people, Darwish’s intertwined poems are collective cries, songs, and glimpses of the human condition. Why Did You Leave the Horse Alone? is a poetry of myth and history, of exile and suspended time, of an identity bound to his displaced people and to the rich Arabic language. Darwish’s poems – specific and symbolic, simple and profound – are historical glimpses, existential queries, chants of pain and injustice of a people separated from their land.
The Adam of Two Edens
A collection of poems by Palestinian poet Mahmoud Darwish. The poems range from dreamy reflections to bitter longings for the Palestine that was lost when Israel was created in 1948.Mahoud Darwish has published more than thirty books of petry and prose. He is the recipient of many international literary awrds and his work has been translated into more thant twenty-two languages.
Palestine As Metaphor
Palestine as Metaphor consists of a series of interviews with Mahmoud Darwish, which have never appeared in English before. The interviews are a wealth of information on the poet's personal life, his relationships, his numerous works, and his tragedy. They illuminate Darwish's conception of poetry as a supreme art that transcends time and place. Several writers and journalists conducted the interviews, including a Lebanese poet, a Syrian literary critic, three Palestinian writers, and an Israeli journalist. Each encounter took place in a different city from Nicosia to London, Paris, and Amman. These vivid dialogues unravel the threads of a rich life haunted by the loss of Palestine and illuminate the genius and the distress of a major world poet.
Almond Blossoms and Beyond
Authoritative information and wonderful images At the back of the book is a 12-page foldout timeline which can be detached and displayed on a wall or notice board, offering an attractive quick visual reference to the key periods, events and developments of Islamic civilizations from approximately the 7th to the 20th centuries AD. The 32-page book offers introductions to each of the periods and dynasties, with short sections on particular themes and on the great achievements of Islamic art and culture over the centuries. Both book and timeline are richly illustrated throughout with color photographs, including numerous objects from museum collections.
