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Narrativas, interdisciplinaridade e cultura digital
Livro Laboratório Este Livro Laboratório é o resultado mais emblemático dos Processos e Procedimentos Artístico- Científicos desenvolvidos pelo Laboratório de Humanidades Digitais (LHuDi) por meio de Ensino Remoto Hibridizado (ERH) no contexto de pandemia de Covid-19 em 2020. A disciplina Humanidades Digitais, ministrada pela Professora Doutora Gláucia Davino no segundo semestre de 2020, foi o espaço para a reflexão pontual e circunstancial quanto às mudanças da produção laboratorial interdisciplinar e a movimentação de conceitos a serem ressignificados quanto à produção não institucional de linguagens e narrativas produzidas por meio de dispositivos digitais móveis e/ou fixos e a apropriada disseminação. A metodologia da Linha de Pesquisa Linguagens e Tecnologias alimentou as diversas linhas da Área de Concentração: Educação, Arte e História da Cultura - processos interdisciplinares com a discussão e experimentação dos paradigmas de cunho histórico-crítico das linguagens e das tecnologias nos processos de comunicação humana, seus impactos nas áreas das artes, da história e da educação, tendo como eixo as expressões das novas mídias.
Art from a Fractured Past
Peru's Truth and Reconciliation Commission not only documented the political violence of the 1980s and 1990s but also gave Peruvians a unique opportunity to examine the causes and nature of that violence. In Art from a Fractured Past, scholars and artists expand on the commission's work, arguing for broadening the definition of the testimonial to include various forms of artistic production as documentary evidence. Their innovative focus on representation offers new and compelling perspectives on how Peruvians experienced those years and how they have attempted to come to terms with the memories and legacies of violence. Their findings about Peru offer insight into questions of art, memory, ...
The Early Modern Hispanic World
This book engages with new ways of thinking about boundaries of the early modern Hispanic past, looking at current scholarly techniques.
Dark Prisms
The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms "occult" and "occultism" broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, séances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and Calderón de la Barca, to modern stage works by Valle-Inclán, García Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.
The Formation of Isaiah 40-55
The series Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft (BZAW) covers all areas of research into the Old Testament, focusing on the Hebrew Bible, its early and later forms in Ancient Judaism, as well as its branching into many neighboring cultures of the Ancient Near East and the Greco-Roman world.
Information Management and Big Data
This book constitutes the refereed proceedings of the 6th International Conference on Information Management and Big Data, SIMBig 2019, held in Lima, Peru, in August 2019. The 15 full papers and 16 short papers presented were carefully reviewed and selected from 104 submissions. The papers address issues such as data mining, artificial intelligence, Natural Language Processing, information retrieval, machine learning, web mining.
A Medieval Mirror
The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene. The Speculum Humanae Salvationis or "Mirror of Human Salvation," is the only medieval work that exists in illuminated manuscripts, in blockbook editions of the mid-fifteenth century, and in sixteen later incunabula. The authors have provided lavishly illustrated accounts of the manuscripts and included reproductions of all 116 woodcuts of the blockbooks, accompanied by a description of the typography and production and an interpretation of each scene.
Divination on stage
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.
The J. Paul Getty Museum Journal
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.
