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Reinventing Babel in Medieval French
How can untranslatability help us to think about the historical as well as the cultural and linguistic dimensions of translation? For the past two centuries, theoretical debates about translation have responded to the idea that translation overcomes linguistic and cultural incommensurability, while never inscribing full equivalence. More recently, untranslatability has been foregrounded in projects at the intersections between translation studies and other disciplines, notably philosophy and comparative literature. The critical turn to untranslatability re-emphasizes the importance of translation's negotiation with foreignness or difference and prompts further reflection on how that might be...
Beyond the Translator’s Invisibility
The question of whether to disclose that a text is a translation and thereby give visibility to the translator has dominated discussions on translation throughout history. Despite becoming one of the most ubiquitous terms in translation studies, however, the concept of translator (in)visibility is often criticized for being vague, overly adaptable, and grounded in literary contexts. This interdisciplinary volume therefore draws on concepts from fields such as sociology, the digital humanities, and interpreting studies to develop and operationalize theoretical understandings of translator visibility beyond these existing criticisms and limitations. Through empirical case studies spanning areas including social media research, reception studies, institutional translation, and literary translation, this volume demonstrates the value of understanding the visibilities of translators and translation in the plural and adds much-needed nuance to one of translation studies’ most pervasive, polarizing, and imprecise concepts.
The Routledge Handbook of Translation and Religion
The Routledge Handbook of Translation and Religion is the first to bring together an extensive interdisciplinary engagement with the multiple ways in which the concepts and practices of translation and religion intersect. The book engages a number of scholarly disciplines in conversation with each other, including the study of translation and interpreting, religion, philosophy, anthropology, history, art history, and area studies. A range of leading and emerging international specialists critically engage with changing understandings of the key categories ‘translation’ and ‘religion’ as discursive constructs, thus contributing to the development of a new field of academic study, tran...
Metatranslation
Metatranslation presents a selection of 14 key essays by leading theorist, Theo Hermans, covering a span of almost 40 years. The essays trace Hermans’ work and demonstrate how translation studies has evolved from the 1980s into the much more diverse and self-reflexive discipline it is today. The book is divided into three main sections: the first section explores the status and central concerns of translation studies, including the growing interest in sociological, ideological and ethical approaches to translation; the second section investigates the key concepts of translation norms and of the translator’s presence, or positioning, in translated texts; the historical essays in the final section are concerned with both modern and early modern discourses on translation and with the use of translation as an instrument of war and propaganda. This synthesis of the work of a highly influential pioneer in translation studies is essential reading for researchers, scholars and advanced students of translation studies, intercultural studies and comparative literature.
The Inimitable Qurʾān
In The Inimitable Qurʾān: Some Problems in English Translations of the Qurʾān with Reference to Rhetorical Features, Khalid Yahya Blankinship examines certain Arabic rhetorical features of the Qurʾān as represented in seven English translations. The author addresses the intersection of two important topics in Qurʾānic studies: the critique of the available English translations and the role of rhetoric in the interpretation of the Qurʾān. He identifies a number of figures characteristic of Qurʾanic style which represent some of the chief stumbling blocks for readers who are used to English in attempting to understand, interpret, and appreciate the text. The book should be useful to all those interested in rhetorical and translation studies and theory as well as Islamic studies.
Translating the Monster
One of the hottest battles emerging out of the theoretical and methodological collisions between Comparative Literature and Translation Studies—especially on the battleground of World Literature—has to do with translatability and untranslatability. Is any translation of a great work of literature not only a lamentable betrayal but an impossibility? Or is translation an imperfect but invaluable tool for the transmission of works and ideas beyond language barriers? Both views are defensible; indeed both are arguably commonsensical. What Douglas Robinson argues in Translating the Monster, however, is that both are gross oversimplifications of a complex situation that he calls on Jacques Der...
Between Wittgenstein and Weil
This volume explores the relationship between the philosophical thought of Simone Weil and Ludwig Wittgenstein. The contributions shed light on how reading Weil can inform our understanding of Wittgenstein, and vice versa. The chapters cover different aspects of Weil’s and Wittgenstein’s philosophy, including their religious thought and their views on ethics and metaphilosophy. They address the following questions: How does Wittgenstein’s struggle with religious belief match up with Simone Weil’s own struggle with organised belief? What is the role of the mystical and supernatural in their works? How much impact has various posthumous editorial decisions had on the shaping of Weil’...
Medieval Translatio
The interdisciplinary papers in this volume focus on the translation of texts in its broadest meaning. The contributors represent Latin, Slavic, English and Scandinavian philologies and deal with very different aspects of translation as for example ‘The Aftermath of the Norman Conquest’, ‘Re-writing parts of Europe in vernacular adaptations of the Imago Mundi’, ‘Translating A Philosophical Style’, ‘The Hermeneutics of Animal Voices in Early Medieval England’, ‘Vernacular Literary Cultures in the Latin West’, ‘Latin, Medieval Cosmopolitanism, and the Dynamics of Untranslatability’, ‘Non-Autonomy of South Slavic Metaphrastic Translation’, and ‘Alexander and the Ars Dictaminis’. It is the aim of all contributions as well as the whole volume to demonstrate the importance of translation in the Middle Ages as a means of not only linguistic transfer but also of a transfer of culture and knowledge.
The Routledge Handbook of Translation and Sexuality
The Routledge Handbook of Translation and Sexuality questions what it would mean to think of sexualities transnationally and explores the way cultural ideas about sex and sexuality are translated across languages. It considers how scholars chart the multilingual rise of the modern sexual sciences in the nineteenth and twentieth centuries, how translators, writers, and readers respond to sexual modernities and to what extent the keywords of queer social movements travel across borders. The handbook draws from fields as diverse as translation studies, critical multilingualism studies, comparative literature, European studies, Slavic studies, Middle Eastern studies, Latin American studies, and ...
Translation and Stylistic Variation
Translation and Stylistic Variation: Dialect and Heteroglossia in Northern Irish Poetic Translation considers the ways in which translators use stylistic variation, analysing the works of three Northern Irish poet-translators to look at how, in this variety, the translation process becomes a creative act by which translators can explore their own linguistic and cultural heritage. The volume offers a holistic portrait of the use of linguistic variety – dialect and heteroglossia – in the literary translations of Seamus Heaney, Ciaran Carson, and Tom Paulin, shedding light on the translators’ choices but also readers’ experiences of them. Drawing on work from cognitive stylistics, Gibso...
