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Reinventing Babel in Medieval French
How can untranslatability help us to think about the historical as well as the cultural and linguistic dimensions of translation? For the past two centuries, theoretical debates about translation have responded to the idea that translation overcomes linguistic and cultural incommensurability, while never inscribing full equivalence. More recently, untranslatability has been foregrounded in projects at the intersections between translation studies and other disciplines, notably philosophy and comparative literature. The critical turn to untranslatability re-emphasizes the importance of translation's negotiation with foreignness or difference and prompts further reflection on how that might be...
Beyond the Translator’s Invisibility
The question of whether to disclose that a text is a translation and thereby give visibility to the translator has dominated discussions on translation throughout history. Despite becoming one of the most ubiquitous terms in translation studies, however, the concept of translator (in)visibility is often criticized for being vague, overly adaptable, and grounded in literary contexts. This interdisciplinary volume therefore draws on concepts from fields such as sociology, the digital humanities, and interpreting studies to develop and operationalize theoretical understandings of translator visibility beyond these existing criticisms and limitations. Through empirical case studies spanning areas including social media research, reception studies, institutional translation, and literary translation, this volume demonstrates the value of understanding the visibilities of translators and translation in the plural and adds much-needed nuance to one of translation studies’ most pervasive, polarizing, and imprecise concepts.
Metatranslation
Metatranslation presents a selection of 14 key essays by leading theorist, Theo Hermans, covering a span of almost 40 years. The essays trace Hermans’ work and demonstrate how translation studies has evolved from the 1980s into the much more diverse and self-reflexive discipline it is today. The book is divided into three main sections: the first section explores the status and central concerns of translation studies, including the growing interest in sociological, ideological and ethical approaches to translation; the second section investigates the key concepts of translation norms and of the translator’s presence, or positioning, in translated texts; the historical essays in the final section are concerned with both modern and early modern discourses on translation and with the use of translation as an instrument of war and propaganda. This synthesis of the work of a highly influential pioneer in translation studies is essential reading for researchers, scholars and advanced students of translation studies, intercultural studies and comparative literature.
The Inimitable Qurʾān
In The Inimitable Qurʾān: Some Problems in English Translations of the Qurʾān with Reference to Rhetorical Features, Khalid Yahya Blankinship examines certain Arabic rhetorical features of the Qurʾān as represented in seven English translations.
The Routledge Handbook of Translation and Religion
The Routledge Handbook of Translation and Religion is the first to bring together an extensive interdisciplinary engagement with the multiple ways in which the concepts and practices of translation and religion intersect. The book engages a number of scholarly disciplines in conversation with each other, including the study of translation and interpreting, religion, philosophy, anthropology, history, art history, and area studies. A range of leading international specialists critically engage with changing understandings of the key categories ‘translation’ and ‘religion’ as discursive constructs, thus contributing to the development of a new field of academic study, translation and r...
Translation and Stylistic Variation
Translation and Stylistic Variation: Dialect and Heteroglossia in Northern Irish Poetic Translation considers the ways in which translators use stylistic variation, analysing the works of three Northern Irish poet-translators to look at how, in this variety, the translation process becomes a creative act by which translators can explore their own linguistic and cultural heritage. The volume offers a holistic portrait of the use of linguistic variety – dialect and heteroglossia – in the literary translations of Seamus Heaney, Ciaran Carson, and Tom Paulin, shedding light on the translators’ choices but also readers’ experiences of them. Drawing on work from cognitive stylistics, Gibso...
Medieval Translatio
Variance characterises the textual culture of the Middle Ages on all levels. Analysing this variance is paramount to understand the norms and transformations involved in the process of establishing a literate culture. This series focuses on the literate output in the Nordic region, from the perspective of Modes of Modification. In order to place the region in a larger context, it also encourages comparative studies with a wider European view.
Translating the Monster
What can Finland’s greatest and supposedly least translatable novel tell us about translation and world literature?
Fashion Narrative and Translation
Fashion Narrative and Translation explores fashion in narrative and translation featuring a corpus of descriptions in comparative literature. The book is divided into themes introducing crucial issues in fashion discourse and translation studies, including cinematic adaptation ‘from page to screen’ and costume design.
Between Wittgenstein and Weil
This volume explores the relationship between the philosophical thought of Simone Weil and Ludwig Wittgenstein. The contributions shed light on how reading Weil can inform our understanding of Wittgenstein, and vice versa. The chapters cover different aspects of Weil’s and Wittgenstein’s philosophy, including their religious thought and their views on ethics and metaphilosophy. They address the following questions: How does Wittgenstein’s struggle with religious belief match up with Simone Weil’s own struggle with organised belief? What is the role of the mystical and supernatural in their works? How much impact has various posthumous editorial decisions had on the shaping of Weil’...
