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Diplomatic List
Directory of foreign diplomatic officers in Washington.
The Forgotten Massacre
The book discusses a formerly unknown and invisible massacre in Budapest in 1944, committed by a paramilitary group lead by a women. Andrea Pető uncovers the gripping history of the fi rst private Holocaust memorial erected in Budapest in 1945. Based on court trials, interviews with survivors, perpetrators, and investigators, the book illustrates the complexities of gendered memory of violence. It examines the dramatic events: massacre, deportation, robbery, homecoming, and fi ght for memorialization from the point of view of the perpetrators and the survivors. The book will change the ways we look at intimate killings during the Second World-War.
Double Exile
This is a social history of refugees escaping Hungary after the Bolshevik-type revolution of 1919, the ensuing counterrevolution, and the rise of anti-Semitism. Largely Jewish and German before World War I, the Hungarian middle class was torn by the disastrous war, the partitioning of Hungary in the Treaty of Trianon, and the numerus clausus act XXV in 1920 that seriously curtailed the number of Jews admitted to higher education. Hungary's outstanding future professionals, whether Jewish, Liberal or Socialist, felt compelled to leave the country and head to German-speaking universities in Austria, Czechoslovakia, and Germany. When Hitler came to power, these exiles were to flee again, many o...
World Cinema
Hungarian cinema began in cafes, and short films were projected at the Velence coffee-house in Budapest in the late 1890s. By 1912, a distinct film culture had formed in Hungary, which - unlike the imported American popular entertainment cinema - throughout its history has shown a commitment to the idea of film as art. This new book is a detailed historical, critical and appreciative account of the Hungarian cinema from its early days to the transforming 1990s, and provides an extended analysis of some 50 directors and their key films. It describes the ways in which the industry has developed, largely with the assistance of the state, especially since the Second World War, and shows how the Hungarian cinema has achieved an international success out of all proportion to its size, and despite the potential obstructions of language and culture. The author concludes with a survey of recent filmmaking activities, and a look towards the future in rapidly changing Eastern Europe. This book will appeal to all those interested in Hungarian and Eastern European film and history.
