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This volume is about the making of a film about the making of The Great Book of Gaelic by 100 artists, 30 poets and two literatures. Murray Grigor made the film Leabhar Mor na Gaidhlig, a living portrait of Scotland and Ireland in flux.
Previous ed. published by Weidenfeld & Nicolson, 2008.
Reprint of the original, first published in 1881.
In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.
Just Daft is the story of one of Scotlanda s greatest comedians, from his birth in Greenock in 1919, charting his rise through his amateur beginnings in the 1930s, all the way to his 1956 performance in the Royal Variety Show at the London Palladium and his appearances in films such as Casino Royale (1967), Gregorya s Girl (1980) and Youa ll Never Walk Alone (1984).
Chic Murray is a cult figure of alternative humour, a comedic pioneer ranked in the highest echelons of his art in the last century and admired around the world. Chic Murray's Funnyosities features a huge number of Chic's funniest one-liners – some well known and others taken from material newly found by the great man's family. This collection is the perfect distillation of Chic's gloriously off-beat humour.
Cinema from Scotland has attained an unprecedented international profile in the decade or so since Shallow Grave (1995) and Trainspotting (1996) impinged on the consciousness of audiences and critics around the world. Scottish Cinema Now is the first collection of essays to examine in depth the new films and filmmakers that have emerged from Scotland over the last ten years. With contributions from both established names and new voices in British Cinema Studies, the volume combines detailed textual analysis with discussion of industrial issues, scholarship on new movies with historical investigation of unjustly forgotten figures and film from Scotland’s cinematic past, and a focus on international as well as indigenous images of Scottishness. Responding to the ways in recent Scottish filmmaking has transformed the country’s cinematic landscape, Scottish Cinema Now reexamines established critical agendas and sets new ones for the study of Scotland’s relationship with the moving image in the twenty-first century.
Inhaltsangabe:Abstract: At Glasgow s University Library I discovered a book about Scotland on film, Scotch Reels. Originally, Scotch Reels is the title of a research carried out in 1982 about the depiction of Scotland on screen. It was revealed then that the predominant image of Scotland was very much engaged with stereotypes (defined as the heather and haggis image by one of the book s critics) and had obviously nothing to do with the contemporary reality of Scotland. Not surprisingly, that radical view has found a lot of stern critics. On superficial examination, when I think of all the recent films set in Scotland (ranging from the historical epos Braveheart to the contemporary fast-paced...