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Poetry. Jewish Studies. HARMLESS, Myra Sklarew's tenth collection of poetry, distills the experience of a life spent in the pursuit of truth. Trained as a biologist, Sklarew draws upon the discourses of science and the arts in equal measure. Also versed in history, Sklarew is haunted by the cruelties of the 20th century, particularly in Eastern Europe, even as she affirms the present moment and holds out the promise of renewal. This moving book has something important to say, and it says it in beautiful language marked by extraordinary musicality.
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Myra Sklarews' new collection of [poetry] is a powerful, evocative book of selfless love. The award-winning title poem is a living testimonial to those who perished in the Kovno Ghetto, wholly heartfelt and viscerally honest. [women][judaism]
Wide-ranging and poignant reflections on literature, art, science, and memory.
Witnessing comes in as many forms as the trauma that gives birth to it. The Holocaust, undeniably one of the greatest traumatic events in recent human history, still resonates into the twenty-first century. The echoes that haunt those who survived continue to reach their children and others who did not share the experience directly. In what ways is this massive trauma processed and understood, both for survivors and future generations? The answer, as deftly illustrated by Nancy Goodman and Marilyn Meyers, lies in the power of witnessing: the act of acknowledging that trauma took place, coupled with the desire to share that knowledge with others to build a space in which to reveal, confront, ...
Rod Jellema has been writing and publishing poems for over thirty years. His work during that time has been described as bursting with raw poetic talent. In this beautifully shaped compilation, readers will find the best poems from Jellema s four previous collections along with a new grouping of poems appropriately titled Still . Though ranging widely in subject, these poems are all united by Jellema s point of view and his ability to explore, with both pathos and comedy, the stabs of joy that leap from deep inside a fallen world of redeemed, incarnate things.
A Survivor Named Trauma examines the nature of trauma and memory as they relate to the Holocaust in Lithuania. How do we behave under threat? How do we remember extreme danger? How do subsequent generations deal with their histories—whether as descendants of perpetrators or victims, of those who rescued others or were witnesses to genocide? Or those who were separated from their families in early childhood and do not know their origins? Myra Sklarew's study draws on interviews with survivors, witnesses, rescuers, and collaborators, as well as descendants and family members, gathered over a twenty-five-year period in Lithuania. Returning to the land of her ancestors, Sklarew found a country still deeply affected by the Nazi Holocaust and decades of Soviet domination. Interdisciplinary in nature, this book will appeal to readers interested in neuroscience and neuropsychology, Holocaust studies, Jewish history, and personal memoir.
At the nexus of Kantian aesthetics, literary analysis, and the history of medicine, Perverse Romanticism makes an important contribution to the study of sexuality in the long eighteenth century.
Over the last several decades, video testimony with aging Holocaust survivors has brought these witnesses into the limelight. Yet the success of these projects has made it seem that little survivor testimony took place in earlier years. In truth, thousands of survivors began to recount their experience at the earliest opportunity. This book provides the first full-length case study of early postwar Holocaust testimony, focusing on David Boder's 1946 displaced persons interview project. In July 1946, Boder, a psychologist, traveled to Europe to interview victims of the Holocaust who were in the Displaced Persons (DP) camps and what he called "shelter houses." During his nine weeks in Europe, ...