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This book is a pioneering attempt to understand the prehistory of Hinduism in South Asia. Exploring religious processes in the Deccan region between the eleventh and the nineteenth century with class relations as its point of focus, it throws new light on the making of religious communities, monastic institutions, legends, lineages, and the ethics that governed them. In the light of this prehistory, a compelling framework is suggested for a revision of existing perspectives on the making of Hinduism in the nineteenth and the twentieth century.
Tracing the Indian state's engagement with aviation, both civil and military, from the Second World War to the nationalization of airlines in 1953, this book argues that aviation played a critical role in state formation in modern South Asia.
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The research for this book was motivated by speculations about the religious movements that may have influenced the plans and arrangements of temples built by the Hoysaḷas of Karnataka in the period between the twelfth and thirteenth centuries. It investigates the causes for the accelerated pace of these constructions; enquires about what served as catalysts for the incorporation of multiple shrines within structures; examines the factors that gave momentum to the sanctification of a variety of deities within them; and studies the characteristics of their style as it was manifested in the temples they commissioned. Thought the finest of these are in the Imperial Hoysaḷa Style (in either the Haḷebīḍ or Koravañgala types), all of the architectural output does not necessarily fall into these categories, some displaying a plurality of characteristics from earlier regional idioms. However, the differences between the two are revealing as they serve to highlight the really ground breaking innovations introduced by the Hoysaḷas.
Raja Rao, one of the founding figures of Indian English literature, is re-examined in this comprehensive study of his fiction, which offers a fresh critical investigation into both his short stories and his novels. Powerfully contradicting the long-held perception of Raja Rao as a mere metaphysical writer and the true bard of quintessential Indianness, projected by many critics of the first Commonwealth generation over three decades, Stefano Mercanti posits Rao’s fiction in terms of its dialogic interaction – the ‘partnership’ – between Western and Eastern cultural traditions and demonstrates how it evolves during the course of his oeuvre on both the philosophical and the political...