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La relación de los artistas y educadores de arte con la tecnología ha sido un diálogo permanente, adaptando, amplificando y modificando procesos, didácticas, metodologías y contenidos para dar entrada a lo contemporáneo tecnológico. Como expresaría Giorgio Agamben en el año 2008, al preguntarse ¿qué significa ser contemporáneo?, lo contemporáneo es "una relación singular con el propio tiempo". Este es uno de los objetivos de todo artista o educador: situarse junto al alumno o el espectador en el momento presente. Y si algo caracteriza a la tecnología es su permanente actualización, una metamorfosis constante que empuja a todo lo demás al cambio y a la muda: profesiones, ocupaciones, conceptos, relaciones.
The book is based on the exchange of professional experiences which featured in an IUCN CEC workshop in August 2002. Practitioners from around the world shared their models of good practice and explored the challenges involved in engaging people in sustainability. The difficulties facing practitioners vary between country and context but some challenges are universal: A lack of clarity in communicating what is meant by sustainable development; An ambition to educate everyone to bring about a global citizenship; Social, organisational or institutional factors constrain change to sustainable development, yet there is an emphasis on formal education, and community educators do not receive the same support; A lack of balance in addressing the integration of environmental, social and economic dimensions leading to an interpretation that ESD is mainly about environment and conservation issues; New learning (rather than teaching) approaches are called for to promote more debate in society. Yet, few are trained or experienced in these new approaches. Practitioners need support to explore new ways of promoting learning. [Foreword, ed].
Weaving the Past offers a comprehensive and interdisciplinary history of Latin America's indigenous women. While the book concentrates on native women in Mesoamerica and the Andes, it covers indigenous people in other parts of South and Central America, including lowland peoples in and beyond Brazil, and Afro-indigenous peoples, such as the Garifuna, of Central America. Drawing on primary and secondary sources, it argues that change, not continuity, has been the norm for indigenous peoples whose resilience in the face of complex and long-term patterns of cultural change is due in no small part to the roles, actions, and agency of women. The book provides broad coverage of gender roles in nat...
About neglected crops of the American continent. Published in collaboration with the Botanical Garden of Cord�ba (Spain) as part of the Etnobot�nica92 Programme (Andalusia, 1992)
A new edition of this bestselling introduction to aesthetics and the philosophy of art. Includes new sections on digital music and environmental aesthetics. All other chapters have been thoroughly revised and updated.
Games and exercises in activity card format designed to teach theater techniques to young students.