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The current volume of the Stress and Anxiety series presents 27 peer-reviewed chapters that thematically span four general areas of stressful life events, anxiety, and coping research. The first collection of papers concerns coping with economic burdens, natural disasters, and human-induced catastrophes and considers psychological resources which may serve as protective factors. Next are review and empirical investigations that examine a variety of manifestations of emotional and psychological well-being, evaluations of treatment programs, as well as scale validation studies. Part three features manuscripts addressing both psychological benefits and liabilities of occupational demands with a focus on exploration of positive work context for both the individual and the workplace. Chapters in the final part of the volume focus on developmental markers and coping efforts of children and adolescents with foci on environmental influences and cross-cultural comparisons.
Nadia Stafford, ex-cop and hitman, is back in the thrilling third and final installment of international bestselling author Kelley Armstrong's crime series. Protect the innocent. If there is any one principle that drives hitwoman Nadia Stafford it's this. When she was 13 she failed to protect her older cousin Amy from being raped and murdered. As Wild Justice opens, she fails again, disastrously, when she botches a hit on a man who's been beating his wife. Before she's had a chance to fix things, the wife is murdered and Nadia plunges into despair. To help her find equilibrium again, her mentor, Jack, brings her a gift: the location and new identity of the serial predator who killed her cousin. Vengeance, justice? With the predator in her sights, nothing seems more right, more straightforward, more simple. But fierce as Nadia is, she is shaken to the core by what she discovers about the real events of her past. The wounds inscribed on her soul during the long night when her cousin was killed have shaped her, and justice is wild indeed. Book 3 in the Nadia Stafford series.
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
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