You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Demonstrates the role of Beirut's postwar graffiti and street art in transforming the cityscape and animating resistance.
The papers in this volume include not only the traditional view of what constitutes a minority but also any individual, or group recalcitrant and reluctant, not to say resistant, to the generalized lobotomy operated by the rampant uniformisation of cultures around the world. For in the ruins of “the end of history” and its context of violence and Manichean politics, any opposition to the “general consensus” could be dismissed as anti-historical and atavistic. The objective of the book is precisely to counter such rhetoric and underscore the necessity of cultural diversity and the right to difference. This book contains what can amount to a critical response to the current context of ...
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depiction...
War Remains traces the poetics of ruination and resistance in select contemporary Lebanese wartime literature, cultural production, and sites of memory. Drawing upon work from southern Lebanon and Beirut, Khayyat examines how war remains are employed as a resistant trope in the intellectual spaces of war’s aftermath. She focuses on “Southern Counterpublics,” a collective of poets, novelists, activists, artists, and ordinary citizens and their war-inspired creative productions that speak to the ruins’ capacity to be reframed, recycled, and recontested. Khayyat argues that the ruins of war can be thought of as a generative milieu for resistant thought and action. An ambitious and provocative work, War Remains ventures to the so-called margins to archive the texture and substance rendered invisible when studies of memory rely solely on data furnished by official narratives and military accounts of war.
A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and i...
This book explores the current historical moment through works of popular culture produced in, and on, the Middle East and North Africa region, Turkey, and Iran. Essays consider gender, racial, political, and other issues in film, cartoons, talk shows, music, dance, blogs, graphic novels, fiction, fashion, and advertisements.
The Middle East in the World offers students a fresh, comprehensive, multidisciplinary entry point to the broader Middle East. After a brief introduction to the study of the region, the early chapters of the book survey the essentials of Middle Eastern history; important historical narratives; and the region's languages, religions, and global connections. Students are guided through the material with relevant maps, resource boxes, and text boxes that support and guide further independent exploration of the topics at hand. The second half of the book presents interdisciplinary case studies, each of which focuses on a specific country or sub-region and a salient issue, offering a taste of the cultural distinctiveness of the particular country while also drawing attention to global linkages. Readers will come away from this book with an understanding of the larger historical, political, and cultural frameworks that shaped the Middle East as we know it today, and of current issues that have relevance in the Middle East and beyond.
In Eray’s world of fantasy and fun, there are few boundaries between reality and imagination. There is a roadside tea garden where spirits gather by night to carry on flirtations until they fade into the dawn, and there is a tavern in Bartin where men make their lost illusions of love come alive by thinking of them. The narrator exchanges places with Night for twenty-four hours to find out what it means to be the unsleeping Night, the guardian of dreams. The slot machines in a casino provide love advice and clues to the multiple realities of romance, history, and everyday life. A mixture of drama and fable, confession and memoir, the fabulous and the prosaic, The Emperor Tea Garden is a place where you have never been and always are. As you turn each page of Eray’s work, you are in a different world, sometimes several at the same time.
This book constitutes the refereed proceedings of the 5th International Conference, ICDEc 2020, held in Bucharest, Romania, in June 2020. Due to the COVID-19 pandemic the conference took place virtually. The 13 full papers presented in this volume together with 3 abstracts of keynotes and 1 introductory paper by the steering committee were carefully reviewed and selected from a total of 41 submissions. The core theme of this year’s conference was “Emerging Technologies & Business Innovation”. The papers were organized in four topical sections named: digital transformation, data analytics, digital marketing, and digital business models.
The Libyan landscape is one of the most diverse and breathtaking, replete with barren deserts, vast ocean coasts, and a stunning display of earth’s elements. Al-Koni, an award-winning and critically acclaimed Arabic writer, reflects on this fragile environment and the increasing threats to its existence in A Sleepless Eye, a collection of the poet’s desert wisdom. He highlights the relationships between humans and Libya’s natural features, grouping them by theme: nature, desert, water, sea, wind, rock, trees, and fire. Each theme contains a set of aphorisms that deliver thoughtful perspectives on what it means to coexist with an evolving planet. This volume is the result of the author’s collaboration with the celebrated French nature photographer, Alain Sèbe, and English translator Allen. The product is a body of work that calls upon readers to question their relationship with the earth through meditative ideas and photos, familiarizing English readers with the fundamental philosophies of environmental stewardship that transcend all boundaries.