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Imre Nagy, Martyr of the Nation
Imre Nagy is a compelling figure both in life and in death_one whose actions stimulated consequences in Hungary that continue into the present. Providing a summary review of Hungarian Cold War history, Benziger examines the ways in which the memory of the martyred prime minister and the story of the 1956 Revolution influenced political socialization in Hungary. The book begins with Nagy's 1989 funeral and the role memorialization played in the politics of transition, continuing with a review of the important personages and events that informed Nagy's life and afterlife, and it concludes in the tumultuous politics following the establishment of the Republic in 1989. Readers interested in Central and Eastern Europe will find this book useful as it expands the literature on history and memory, and transition politics in the region.
Imre Nagy
"After nearly three decades of dutiful service to the Communist Party, Imre Nagy led the popular uprising against the Soviet authorities during the 1956 Hungarian Revolution. Two years later he was disgraced and executed. How did the formerly loyal Party servant become one of its most ardent critics? How did he reconcile his own beliefs with the demands of the Party for so long - and what finally drove him to take a stand? And how should we understand his legacy for the modern democracy of Hungary? This definitive biography of the Communist leader traces his life from his conventional, petty bourgeois childhood in south-west Hungary, through his tremendous political achievements and ultimate dramatic failure. The first complete portrait of this complex and contradictory figure, Imre Nagy is vividly brought to life as an enigmatic figure whose actions shaped Hungary's destiny in 1956 and ever since."--Bloomsbury publishing.
Eyewitness
Examines how these photojournalists, all of whom left their native country to work in Europe and America, established Hungary as a crucible of photography and explores the influence of their vision and orginality on other photographers.
Tales in Paint
This book came into existence with my long-time friend, Marianna. The idea of linking together our passions, painting and poetry, evolved long ago. Survived years and at this very moment it is gaining its tangible form brought to you in tales – Tales in Paint. The book contains a selection of artworks – my paintings and Marianna´s poetry – created in the last five years. Both my and her stories are embedded in paint and words keeping us company over the past period.Tales in Paint also features four painting demonstrations which bring a detailed insight into my painting approach and analyze the painting processes in a series of steps.I hope that this book will offer you pleasure and moments of peace and find your own tale within.
Great Expectations and Interwar Realities
After the shock of the 1920 Treaty of Trianon, which Hungarians perceived as an unfair dictate, the leaders of the country found it imperative to change Hungary?s international image in a way that would help the revision of the post-World War I settlement. The monograph examines the development of interwar Hungarian cultural diplomacy in three areas: universities, the tourist industry, and the media?primarily motion pictures and radio production. It is a story of the Hungarian elites? high hopes and deep-seated anxieties about the country?s place in a Europe newly reconstructed after World War I, and how these elites perceived and misperceived themselves, their surroundings, and their own ab...
Laszlo Moholy-Nagy
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
Laszlo Moholy-Nagy
Marking the centenary of the birth of Laszlo Moholy-Nagy (1895–1946), this book offers a new approach to the Bauhaus artist and theorist’s multifaceted life and work—an approach that redefines the very idea of biographical writing. In Laszlo Moholy-Nagy, Louis Kaplan applies the Derridean deconstructivist model of the "signature effect" to an intellectual biography of a Constructivist artist. Inhabiting the borderline between life and work, the book demonstrates how the signature inscribed by "Moholy" operates in a double space, interweaving signified object and signifying matter, autobiography and auto-graphy. Through interpretative readings of over twenty key artistic and photographi...
Voice in the Wilderness
This biography portrays the life of Imre Nagy, who launched his revisionist New Course in 1953 to make Communism in Hungary more humane. After World War II, Nagy took his country out of the Warsaw Pact, declared neutrality and was arrested and executed, refusing to save his life by compromising.
