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Imre Nagy, Martyr of the Nation
Imre Nagy, Martyr of the Nation is a study of the ways in which the memory of the martyred Prime Minister and the story of the 1956 Revolution influenced political socialization in Hungary. The study begins with Nagy's 1989 funeral and the role memorialization played in the politics of transition, continuing with a review of the important personages and events that informed Nagy's life and afterlife, and concludes in the tumultuous politics following the establishment of the Republic in 1989.
Great Expectations and Interwar Realities
After the shock of the 1920 Treaty of Trianon, which Hungarians perceived as an unfair dictate, the leaders of the country found it imperative to change Hungary?s international image in a way that would help the revision of the post-World War I settlement. The monograph examines the development of interwar Hungarian cultural diplomacy in three areas: universities, the tourist industry, and the media?primarily motion pictures and radio production. It is a story of the Hungarian elites? high hopes and deep-seated anxieties about the country?s place in a Europe newly reconstructed after World War I, and how these elites perceived and misperceived themselves, their surroundings, and their own ab...
The Night of Akhenaton
Contains poems from all periods of Nemes Nagy's output, from her work in the early 1940's to work written immediatly prior to her death, and includes poems from her important Akhenaton cycle.
Moholy-Nagy and the New Typography
"In 1929, ten years after the Bauhaus was founded, Berlin's Martin-Gropius-Bau launched the exhibition 'New Typography.' László Moholy-Nagy, who had left Dessau the previous year and had earned a reputation as a designer in Berlin, was invited to exhibit his work together with other artists. He designed a room--entitled 'Wohin geht die typografische Entwicklung?' ('Where is typography headed?')--where he presented 78 wall charts illustrating the development of the 'New Typography' since the turn of the century and extrapolating its possible future. To create these charts, he not only used his own designs, but also included advertising prints by colleagues associated with the Bauhaus. The f...
Laszlo Moholy-Nagy
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
The New Vision
This book, a valuable introduction to the Bauhaus movement, is generously illustrated with examples of students' experiments and typical contemporary achievements. The text also contains an autobiographical sketch.
Imre Nagy, Martyr of the Nation
Imre Nagy is a compelling figure both in life and in death_one whose actions stimulated consequences in Hungary that continue into the present. Providing a summary review of Hungarian Cold War history, Benziger examines the ways in which the memory of the martyred prime minister and the story of the 1956 Revolution influenced political socialization in Hungary. The book begins with Nagy's 1989 funeral and the role memorialization played in the politics of transition, continuing with a review of the important personages and events that informed Nagy's life and afterlife, and it concludes in the tumultuous politics following the establishment of the Republic in 1989. Readers interested in Central and Eastern Europe will find this book useful as it expands the literature on history and memory, and transition politics in the region.
Imre Nagy
"After nearly three decades of dutiful service to the Communist Party, Imre Nagy led the popular uprising against the Soviet authorities during the 1956 Hungarian Revolution. Two years later he was disgraced and executed. How did the formerly loyal Party servant become one of its most ardent critics? How did he reconcile his own beliefs with the demands of the Party for so long - and what finally drove him to take a stand? And how should we understand his legacy for the modern democracy of Hungary? This definitive biography of the Communist leader traces his life from his conventional, petty bourgeois childhood in south-west Hungary, through his tremendous political achievements and ultimate dramatic failure. The first complete portrait of this complex and contradictory figure, Imre Nagy is vividly brought to life as an enigmatic figure whose actions shaped Hungary's destiny in 1956 and ever since."--Bloomsbury publishing.
László Moholy-Nagy
László Moholy-Nagy (1895?1946), painter, photographer, Bauhaus teacher and founder of the?New Bauhaus? and the?School of Design? in Chicago, is one of the most important artist personalities of the modern age. As one of the first artists to work in multiple media, who practised painting, sculpture, photography, film and design as equally valid art genres, he set standards which are still relevant today.00Appointed to the Bauhaus in Weimar by Walter Gropius in 1923, Moholy-Nagy also followed him to Dessau before leaving Nazi Germany in 1933, eventually finding a second home in Chicago in 1937. Both as a teacher and an artist he pursued his revolutionary vision of uniting art and life in order to permit artistic activities to flow over into everyday life. Moholy-Nagy made an important contribution in particular in the recognition of photography, which as a new medium had hitherto not been regarded as art. This volume provides excellent insight into the life and work of the avant-garde artist.
