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Nahida Lazarus-Remy und »Das jüdische Weib«
Nur wenige Christ*innen traten nach dem Berliner Antisemitismusstreit (1879-1881) der sich zunehmend politisch und publizistisch organisierenden antisemitischen Bewegung in der Öffentlichkeit gegenüber. Nahida Lazarus-Remy, künstlerisch wie religiös begabt, hebt sich im Unterschied zu renommierten Männern als Frau und Ungelehrte in ihrem apologetischen Handeln hervor. Sie widerlegte in ihren Veröffentlichungen und Vortragsreisen einflussreiche kulturelle Argumente gegen das Judentum und erregte damit national und international Aufsehen. Maria Japs zeichnet mit ihrer Studie ein zeitgeschichtlich relevantes Porträt der 1895 zum Judentum konvertierten Autorin des Werks »Das jüdische Weib«.
Gender and Judaism
Demonstates through different essays Jewish Womens movement rides the fine line between tradition and transformation.
The Menorah
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The Jew's Body
Drawing on a wealth of medical and historical materials, Sander Gilman sketches details of the anti-Semitic rhetoric about the Jewish body and mind, including medical and popular depictions of the Jewish voice, feet, and nose. Case studies illustrate how Jews have responded to such public misconceptions as the myth of the cloven foot and Jewish flat-footedness, the proposed link between the Jewish mind and hysteria, and the Victorians' irrational connection between Jews and prostitutes. Gilman is especially concerned with the role of psychoanalysis in the construction of anti-Semitism, examining Freud's attitude towards his own Jewishness and its effect on his theories, as well as the supposed "objectiveness" of psychiatrists and social scientists.
People of the Body
By shifting attention from the image of Jews as a textual community to the ways Jews understand and manage their bodies -- for example, to their concerns with reproduction and sexuality, menstruation and childbirth-- this volume contributes to a revisioning of what Jews and Judaism are and have been. The project of re-membering the Jewish body has both historical and constructive motivations. As a constructive project, this book describes, renews, and participates in the complex and ongoing modern discussion about the nature of Jewish bodies and the place of bodies in Judaism.
Jewish Poet and Intellectual in Seventeenth-Century Venice
The first Jewish woman to leave her mark as a writer and intellectual, Sarra Copia Sulam (1600?–41) was doubly tainted in the eyes of early modern society by her religion and her gender. This remarkable woman, who until now has been relatively neglected by modern scholarship, was a unique figure in Italian cultural life, opening her home, in the Venetian ghetto, to Jews and Christians alike as a literary salon. For this bilingual edition, Don Harrán has collected all of Sulam’s previously scattered writings—letters, sonnets, a Manifesto—into a single volume. Harrán has also assembled all extant correspondence and poetry that was addressed to Sulam, as well as all known contemporary references to her, making them available to Anglophone readers for the first time. Featuring rich biographical and historical notes that place Sulam in her cultural context, this volume will provide readers with insight into the thought and creativity of a woman who dared to express herself in the male-dominated, overwhelmingly Catholic Venice of her time.
Prophets of the Past
Prophets of the Past is the first book to examine in depth how modern Jewish historians have interpreted Jewish history. Michael Brenner reveals that perhaps no other national or religious group has used their shared history for so many different ideological and political purposes as the Jews. He deftly traces the master narratives of Jewish history from the beginnings of the scholarly study of Jews and Judaism in nineteenth-century Germany; to eastern European approaches by Simon Dubnow, the interwar school of Polish-Jewish historians, and the short-lived efforts of Soviet-Jewish historians; to the work of British and American scholars such as Cecil Roth and Salo Baron; and to Zionist and p...
Jewish High Society in Old Regime Berlin
During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the German past.
