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Proceedings of a May 1994 symposium held to present cutting edge multidisciplinary work on the characterization of ancient materials; the technologies of selection, production, and usage by which materials are transformed into the objects and artifacts we find today; the science underlying their deterioration, preservation, and conservation; and sociocultural interpretation derived from an empirical methodology of observation, measurement, and experimentation. Over 70 contributions discuss topics that include the visual appearance and the imitation of one material by another; stable protective coatings and materials stability; resource surveying, source characterization, and cultural implications; and process reconstruction as essential to understanding of condition and conservation. Annotation copyright by Book News, Inc., Portland, OR
Three stageworthy plays and nine individual scenes that offer an introduction to Yiddish theater at its liveliest.
Three stageworthy plays and nine individual scenes that offer an introduction to Yiddish theater at its liveliest.
New Jewish Voices presents the first anthology of modern Jewish-American drama. These highly acclaimed plays, previously produced by New York City's nationally-renowned Jewish Repertory Theatre, offer an enjoyable and eye-opening introduction to the unique and modern voice of five young writers. The insights and visions of these playwrights will help redefine Jewish theater. While offering college students and amateur dramatic groups exciting new material, these five plays will entertain and delight every reader. An introduction by Edward M. Cohen, associate director of Jewish Repertory Theatre, outlines the history of Jewish theatre in America, the origins and development of the Jewish Repertory Theatre, the methods and programs of play development used at the theatre, and an analysis of current trends in modern Jewish playwriting. The anthology also includes production photos, a list of all plays produced by the theatre, and original scripts.
Award for the Best First Book in the History of Religions from the American Academy of Religion Feminist theory and postcolonial theory share an interest in developing theoretical frameworks for describing and evaluating subjectivity comparatively, especially with regard to non-autonomous models of agency. As a historian of religions, Mary Keller uses the figure of the "possessed woman" to analyze a subject that is spoken-through rather than speaking and whose will is the will of the ancestor, deity or spirit that wields her to engage the question of agency in a culturally and historically comparative study that recognizes the prominent role possessed women play in their respective tradition...
The events of this novel unfold through the eyes of Hershl, who leaves his small town to become educated only to return to the Pale of Settlement in the wake of the pogroms in 1881. S. Y. Abramovitsh's famed epic novel explores the social upheaval of Russian Jews who are forced by poverty to leave their homes. The novel achieved canonical status both in its Yiddish original and in its Hebrew version, under the title In the Vale of Tears. In this work Michael Wex renders the time-worn tale with the skill and ease of a modern storyteller and humorist. Abramovitsh's artistry lies not in the plot but in his descriptions and ever-shifting narrative voice. Sometimes the narrator (Mendele the Bookseller) speaks from within the shtetl and sometimes from outside; and often he interweaves the high rhetorical prose of Hershl himself, reborn by the novel's end as Heinrich Cohen. Wex's adroit new translation will appeal to scholars of Yiddish fiction and general readers alike.
Looks at Dogen’s writings on meditation and thinking.
God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century. The settings range widely--a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. The plays evoke tears and laughter through melodrama, expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what is life's moral purpose? And all display the theatrical flair that made Yiddish audiences such passionate fans of their dramas and their stars. Translated and edited to make them more accessible for both reading and performance, the plays are accompanied by prefaces and notes to help students of theater and of Jewish culture by providing historical context, production histories, and elucidation of references.
Devil’s Mile tells the rip-roaring story of New York’s oldest and most unique street The Bowery was a synonym for despair throughout most of the 20th century. The very name evoked visuals of drunken bums passed out on the sidewalk, and New Yorkers nicknamed it “Satan’s Highway,” “The Mile of Hell,” and “The Street of Forgotten Men.” For years the little businesses along the Bowery—stationers, dry goods sellers, jewelers, hatters—periodically asked the city to change the street’s name. To have a Bowery address, they claimed, was hurting them; people did not want to venture there. But when New York exploded into real estate frenzy in the 1990s, developers discovered the...
Fanny Brice, Irving Berlin, Jerome Kern, Barbra Streisand, Alan Menken, Stephen Sondheim--Jewish performers, composers, lyricists, directors, choreographers and producers have made an indelible mark on Broadway for more than a century. Award-winning producer Stewart F. Lane chronicles the emergence of Jewish American theater, from immigrants producing Yiddish plays in the ghettos of New York's Lower East Side to legendary performers staging massive shows on Broadway. In its expanded second edition, this historical survey includes new information and photographs, along with insights and anecdotes from a life in the theater.