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Gutai
Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.
Passion for Peonies
There’s no more breathtaking signal of summer’s onset than the blooming of peonies. Stunningly beautiful and relatively easy to grow, peonies are a favorite flower everywhere they can be cultivated and for good reason: the heady fragrances and enchanting colors of a peony-rich display create an immersive experience that has enamored generations of garden lovers across the world. This passion is on full display each June at the historic Peony Garden of the University of Michigan’s Nichols Arboretum. Originally planted in 1922, the Nichols Arboretum Peony Garden now boasts North America’s largest public collection of heirloom herbaceous peonies. The Peony Garden has become a sacred spa...
Great Waves and Mountains
This richly illustrated volume addresses the history of collecting Japanese art and the factors that contributed to the growth of collections in North America following the Meiji Restoration in 1868.
Brushed in Light
The brushed word in films and film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC
Maekawa Kunio and the Emergence of Japanese Modernist Architecture
Japanese architecture's commanding presence on the world stage can be traced to the struggles of earlier generations of Japan's modernist architects. This first book-length study of Maekawa Kunio (1905-1986) focuses on one of the most distinctive leaders in Japan's modernist architectural community. In a career spanning the 1930s to the 1980s, Maekawa's work and critical writing put him in the vanguard of the Japanese architectural profession. Jonathan Reynolds illuminates Maekawa's role as a bridge between prewar and postwar architecture in Japan, focusing particularly on how he influenced modernism's ambivalence regarding "tradition" and contemporary practice and the importance of technolo...
The Himalayan Journey of Walter N. Koelz
In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.
Moving Images
When the American government began impounding Japanese American citizens after Pearl Harbor, photography became a battleground. The control of the means of representation affected nearly every aspect of the incarceration, from the mug shots criminalizing Japanese Americans to the prohibition of cameras in the hands of inmates. The government also hired photographers to make an extensive record of the forced removal and incarceration. In this insightful study, Jasmine Alinder explores the photographic record of the imprisonment in war relocation centers such as Manzanar, Tule Lake, Jerome, and others. She investigates why photographs were made, how they were meant to function, and how they ha...
Imagery of the Orchid Pavilion Gathering
This book examines the cultural networks that connected people during the Edo period (1603-1868) by surveying a wide range of visual representations of the Orchid Pavilion Gathering produced mostly in Japan. The Orchid Pavilion Gathering is one of the most important painting themes in the cultural history of East Asia, yet there has hitherto been no monograph focused on this subject in the English language. This project introduces the many important images representing and related to the Gathering, some of which have never before been published.
Japanese Art
This four-volumes reference work offers a critical overview of the history and culture of Japanese art. Drawing up English-language texts from art history, history and anthropology, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. 0 0Over 80 essays from Asia, North America and Europe are assembled in this set and they address four major themes ? material cultures (ceramics, textiles, sculpture), visual cultures (painting, calligraphy, decorated screens), printed matter (wood-block prints, books) and the context for Japan?s art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented chronologically within the four major themes. 0.
