You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Seeking adventure during the school holidays, five teenagers from the Indian suburb of Lenasia accidentally witness a violent crime that has a lasting impact on their lives. Starting in June of 1993, the novel follows the Five through the next decade as they confront, both as individuals and as a group, questions of who they are, who they are allowed to be, and who they are expected to be in the New South Africa. They must query what role they will allow tradition, ancestry, sexuality, skin colour, love, money and culture to play in their lives as they attempt to forge new paths, sometimes stumbling along the way, but always willing to give one another a helping hand.
Although generally resented and deemed unfavourable for individuals, societies and nations, grief, grievance, and grieving, along with a complex list of epithets that could, under varying circumstances, accompany them – racial grief, political grievance, protracted grieving, chronic grief, traumatic, unresolved grievance – nevertheless occupy a significant place in culture and its manifestations in literature, art, history, science, and politics. Culture and the Rites/Rights of Grief offers an intellectual excursion into realms of potentially regenerative problematics, too frequently dismissed without due consideration. In this light, the volume constitutes a weighty contribution to the field of literary and cultural studies. First and foremost, however, Culture and the Rites/Rights of Grief is to be intellectually enjoyed by readers with an interest in present-day literary, cultural and political phenomena, at the intersection of which grief and grieving execute an imposing presence, albeit one that remains as indeterminate and flitting as the nature of contemporary cross-cultural and cross-disciplinary encounters.
The Routledge Companion to Gender and Science Fiction is the first large-scale reference work of its kind, critically assessing the relations of gender and genre in science fiction (SF) especially—but not exclusively—as explored in speculative art by women and LGBTQ+ artists across the world. This global volume builds upon the traditions of interdisciplinary inquiry by connecting established topics in gender studies and science fiction studies with emergent ideas from researchers in different media. Taken together, they challenge conventional generic boundaries; provide new ways of approaching familiar texts; recover lost artists and introduce new ones; connect the revival of old, hate-b...
This anthology comprises of interviews with contemporary South African authors, offering vignettes of their lives and summaries of their works. In curating this book, Danyela Demir and Olivier Moreillon step beyond pure literary theory and analysis. They welcome the authors to speak and assess the literary panorama in which they live and co-create. However, Demir and Moreillon also trace concepts and terms that describe the current South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book contributes to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel Beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary ‘big names’, such as André P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are popular worldwide, and the younger and newer generation of South African writers, who go largely unnoticed. Print edition not for sale in Sub Saharan Africa.
"Over the past two decades, there has been a resurgence in the writing of African and African diaspora speculative and science fiction writing. Discussions around the 'rise' of science-fiction and fantasy have led to a push-back by writers and scholars who have suggested that this is not a new phenomenon in African literature. This collection focuses on the need to recalibrate ways of reading and categorising this grenre of African writing through critical examinations both of classics such as Kojo Laing's Woman of the Aeroplanes (1988) and Ngũgĩ wa Thiong'o's oeuvre, as well as more recent fiction from writers including Nnedi Okorafor, Namwali Serpell and Masande Ntshanga."--Back cover.
THE INTELLIGENT NEW POST-APOCALYPTIC THRILLER FROM THE AUTHOR BEHIND BRAND NEW APPLE TV HIT SHINING GIRLS 'A smartly written thriller that opens with a satisfying bang . . . splendid' STEPHEN KING 'Powerful and intelligent' GUARDIAN 'A major, major talent' GEORGE R.R. MARTIN _______ A WORLD OF WOMEN A MOTHER AND SON ON THE RUN Three years after a virus wiped out most men on earth, Cole's son, Miles, is one of the rare survivors. Yet in this changed world, there are women who would kill to get their hands on that most prized commodity - a living boy. Getting Miles to safety means crossing America with deadly pursuers hot on their heels - including Cole's own sister, Billie. But if there are s...
None
This groundbreaking, multi-genre anthology answers the question: what did the literary landscape look like in South Africa at the start of the twenty-first century? It documents a slice of this landscape by bringing together the writings of over twenty contributors through literary critique, personal essays and interviews. The book tells the story of the seismic shift that transformed national culture through poetry and is the first of its kind to explore the history and impact of poetry by Black women, in their own voices. It straddles disciplines: literary theory, feminism, history of the book and politics - thus decolonising literary culture. Our Words, Our Worlds covers expansive reflect...