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Hong Kong Night
"Edited by Gilbert C. F. Fong, Shelby K. Y. Chan, Lucas Klein, Bei Dao, Christopher Mattison, and Chris Song, the Poetry and Conflict twenty-two volume box set is an extended edition of the single-volume anthology. Included are twenty-two pocket-sized paperbacks and a complimentary USB (incl. video clips and photos of the previous IPNHK) encased in a fine paper box, containing works by each of the poets included in the anthology, accompanied by English and/or Chinese translations. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations. Each of the twenty-two volumes can be purchased separately."--From publisher's website.
Hong Kong night
This pocket-sized paperback is one of the twenty-two titles published for 2015 Hong Kong International Poetry Nights. The theme of IPHHK2015 is "Poetry and Conflict". 21 international poets from 18 different places are invited to participate in recitations, symposia and sharing sessions of the Poetry Nights. A recitation focusing on 10 local Hong Kong poets, "Hong Kong Cantonese Poetry Night" is included. This collection seeks to make accessible the best of contemporary international poetry with outstanding translations.
Mother Tongues and Other Tongues
Edited by Simona Gallo and Martina Codeluppi, Mother Tongues and Other Tongues: Creating and Translating Sinophone Poetry analyzes contemporary translingual Sinophone poetry and discusses its creative processes and translational implications, along with their intersections. How do self-translation and other translingual practices mold the Sinophone poetic field? How and why do contemporary Sinophone writers produce (new) lyrical identities in and through translation? How do we translate contemporary Sinophone poetry? By addressing such questions, and by bringing together scholars, writers, and translators of poetry, this volume offers unique insights into Sinophone Studies, while sparking a transdisciplinary dialogue with Poetry Studies, Translation Studies and Cultural Studies.
Biographical Dictionary of Chinese Women
A biographical dictionary devoted to Chinese women, this text is the result of years of research, translation and writing from contributors from around the world. This volume focuses on the 20th century and includes sportwomen, film stars, musicians, politicians, artists, educators and more.
Chinese Creative Writing Studies
This book introduces Chinese creative writing to the English-speaking world, considering various aspects of literary and creative theories in research in Chinese writing. It covers recent trends such as cross-media practices, pedagogy in creative writing in China, Taiwan and Hong Kong, specifically, and looks at how Chinese classical culture brings new interpretations to creative writing within a global context. Consisting of 14 chapters by established scholars and experts, writers, and poets working in various genres within the Chinese writing tradition, the book presents data accrued from personal reflections, classroom teaching, video games, museum studies, radio dramas, TV series, and cy...
Biographical Dictionary of Chinese Women: v. 2: Twentieth Century
The first biographical dictionary in any Western language devoted solely to Chinese women, Biographical Dictionary of Chinese Women is the product of years of research, translation, and writing by scores of China scholars from around the world. Volume II: Twentieth Century includes a far greater range of women than would have been previously possible because of the enormous amount of historical material and scholarly research that has become available recently. They include scientists, businesswomen, sportswomen, military officers, writers, scholars, revolutionary heroines, politicians, musicians, opera stars, film stars, artists, educators, nuns, and more.
From the Bluest Part of the Harbour
This collection of contemporary Hong Kong poems--most published here in English for the first time--reveals the heart of a city on the edge of a dramatic change of identity. Lyrical and poignant, the poems reflect the heightened emotions and apprehensions of the Hong Kong people as China's takeover nears. Writing in free verse that breaks with traditional Chinese form, the twelve modern poets retain links with the past, sometimes alluding through subject, diction, and imagery to the Chinese poetic tradition. Some of the poets express a longing for China as a homeland, while others draw on Chinese myth and folk-tales reflect on the universal themes of reincarnation, life and death, and the passage of time. Whether describing the vibrancy of Hong Kong life, examining the effects of the Tiananmen Square incident, or reflecting on love and society, each poet brings to life some part of the Hong Kong character.
相互理解と未来の共有に向けて
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Strength Based Perspective in Working with Clients with Mental Illness
This book offers to serve as a guide for professionals in understanding and applying a strength based perspectives for Chinese clients with mental illness and to discuss the Chinese articulation of concepts and practice of these perspective within Chinese culture. Ever since the emergence of a medical model in the explanation of mental illness, the disease model or deficit/problem orientation became the dominant paradigm in perceiving, treating and rehabilitating persons with mental illness. The terms 'mentally ill' and 'mental patient' serve as labels for both professionals, family caregivers and members of community to describe the burden, the needs of care and treatment for persons with mental illness. These labels also justify the establishment and implementation of mental health services. Under the influences of the disease model, persons with mental illness are regarded as subjects for academic research, patients for treatment, clients for intervention, and objects for stigmatisation and labelling.
