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Bestiary of Corona Animals
Bestiary of Corona Animals is an essay that illuminates the causal relations between the human tendency to objectify the world, the continuous expansion of extractive activity, the trace effects of the current climate regime, and the outbreak of the current coronavirus pandemic. These seemingly distinct phenomena, often analyzed and discussed separately, in fact share the same roots. The text introduces a cast of different animals, both fictional and tangibly real, whose personal opinions and experiences—informed by animal rights and ethics, biopower, geopolitics, and necropolitics—give credence to the hypothesis that the human colonization of the natural territory of the virus enabled the pandemic to spread in the first place. These animal voices seek for a type of worlding that provides an equal footing for humans and non-humans, starting by exchanging self-interest for empathic non-understanding and selfless reciprocity: from the isolation of thinking and acting in a vacuum, to a world continuum.
Rosalind Nashashibi
The ICA is pleased to present a solo exhibition by London-based artist Rosalind Nashashibi. This will be the most comprehensive presentation yet of her work, presenting 16mm films from the last four years alongside examples of her photographic output.
Gwenneth Boelens - In Two Minds
'In Two Minds' documents Gwenneth Boelens practice of the past ten years, comprising photography and sculpture, as well as performative and filmic works. An extensive chapter of notes, written by her partner and editor Nickel van Duijvenboden, illuminate
The Hatred of Music
Throughout Pascal Quignard’s distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard’s masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge—the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more—to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music’s potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard’s provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.
JCJ Vanderheyden
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Bidoun
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Plateau
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Progress and Prospects in the Management of Oxyanion Polluted Aqua Systems
This book is a compendium of research efforts and findings on the sources, occurrences, hydrochemistry, and several operating variables that influence the presence of oxyanions in aqua system. The content of this book has been designed to provide an insightful account of an array of innovative technologies for the management of the impacts of oxyanions in water, the progress and drawbacks of these technologies and those that have been effectively deployed to transform oxyanions in water to beneficial species. This book further x-rays global laws and economic policies targeted at effectively curtailing the presence of harmful oxyanions in water, challenges facing these policies, and future perspectives on how best to reduce the level of these harmful oxyanions in water to safe limit. The book is relevant to water professionals, policy makers, academics, and research students.
