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Power and Literature
At the core of this book lies the relation between Power (as socio-political phenomenon) and the novel (as literary discourse). It shows that, in a society facing the excess of power in its various forms, novelistic fiction mediates knowledge about societal Power structures and uses specific strategies to subvert and denounce them. The first part of the study is theoretical: it presents some of the most prominent theories of Power, from Plato, Machiavelli, Nietzsche to Weber, Dahl, Lukes, Parsons, Bourdieu or Foucault. After offering a critical approach to the concepts of Power defined in the social, political and philosophical fields, it articulates the relations of Power imprinted in literary discourse within a typology of four categories. In the second part of the book, this taxonomy of Power is applied to four key novels in the context of Romanian "literary crossroads", showing how novelistic fiction not only assume a critical and subversive position against the excess of Power, but also unveils our fragility when experiencing History.
Entangled Histories of the Balkans - Volume One
Modern Balkan history has traditionally been studied by national historians in terms of separate national histories taking place within bounded state territories. The authors in this volume take a different approach. They all seek to treat the modern history of the region from a transnational and relational perspective in terms of shared and connected, as well as entangled, histories, transfers and crossings. This goes along with an interest in the way ideas, institutions and techniques were selected, transferred and adapted to Balkan conditions and how they interacted with those conditions. The volume also invites reflection on the interacting entities in the very process of their creation and consecutive transformations rather than taking them as givens. Contributors include: Alexander Vezenkov, Constantin Iordachi, Raymond Detrez, Ronelle Alexander, Roumen Daskalov and Tchavdar Marinov.
The Fairy-Tale Vanguard
Ever since its early modern inception as a literary genre unto its own, the fairy tale has frequently provided authors with a textual space in which to reflect on the nature, status and function of their own writing and that of literature in general. At the same time, it has served as an ideal laboratory for exploring and experimenting with the boundaries of literary convention and propriety. While scholarship pertaining to these phenomena has focused primarily on the fairy-tale adaptations and deconstructions of postmodern(ist) writers, this essay collection adopts a more diachronic approach. It offers fairy-tale scholars and students a series of theoretical and literary-historical expositions, as well as case studies on English, French, German, Swedish, Danish, and Romanian texts from the seventeenth to the twenty-first century, by authors as diverse as Marie-Catherine d’Aulnoy, Rikki Ducornet, Hans Christian Andersen and Robert Coover.
Romania
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Manual of Discourse Traditions in Romance
Discourse Traditions are a key concept of diachronic Romance linguistics. The present manual aims to establish this approach at an international level by assembling contributions that introduce its theoretical foundations, discuss connections with alternative approaches of text and discourse analysis, show the relevance of Discourse Traditions for the history of Romance languages, and explore possibilities for future applications of the concept.
Orientations
"This anthology introduces readers to the rich body of travel writing from eastern Europe. It presents a selection of accounts written over the past 450 years, chosen from many different types of author - from the well-known to the obscure - and representing many different genres of travel writing, from personal letters to self-consciously literary exercises. The extracts illustrate the variety of ways in which east Europeans have written about Europe, and their place in relation to it."--Publisher's description.
Manele in Romania
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
The Traditions of Invention
Literary and cultural images, once considered marginal to the main currents of political and institutional development in southeastern Europe, have been accorded much greater importance by scholars in recent years. In this volume Alex Drace-Francis brings together over fifteen years of work on the topic of representations of Romania and Romanians. Crossing the East-West divide, the book studies both external images of the country and people, and domestically-generated representations of Europe and 'the West'. It draws on material in a wide range of languages and offers a long-term view, providing a nuanced and historically-grounded contribution to the lively debates over Balkanism, Orientalism and identities in Romania and in Europe as a whole.
