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Getting Word
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Gestic
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Your Impossible Voice #12
Issue 12 of Your Impossible Voice features new work from Ascher/Straus, Joel Tomfohr, Nicole Brodsky, Michael J. Coene, Jennifer Lee, Venegas James, Nick Roth, Kara Vernor, Stephanie Mataya, Jonathan Louis Duckworth, Gabrielle Lessans, Eli Sahm, Johnny Ray Huston, and Jennifer Marcus, as well as new translations of Bhaskar Chakrabortty (Manash Firaq Bhattacharjee) and Marina Tsvetaeva (Mary Jane White). Cover art by J. Harker Shawy
Creative Communities
This unit on communities was implemented in a second grade classroom in an elementary school located in a suburban community. This is an upper middle class community located approximately twenty-five miles from a major city. The class in which this math, science and technology unit was implemented was composed of twenty students. I am a computer teaching assistant that is not assigned to a particular class or grade; I taught this unit in someone else's classroom. Finding time to teach this unit was difficult because my schedule is unpredictable and the teacher has lessons she needed to cover at specific times.
Forthcoming Ecnelis
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20th Century
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Let the People See
Elliott J. Gorn explores and evokes the full story of murder that transfixed and transformed the nation.
Small Press Review
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Poetry Project
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Currency
Poetry. "Dana Teen Lomax's work navigates the vexed relations of life behind the bars of the $$, where gender, race, and class are not merely "discourses" but lived vectors of experience, and where the logic of exchange value mediates that experience to the point where "the $u$pen$e i$ in the death toll$." CURRENCY is nothing less than an oppositional archeology of consumer culture as it reproduces its logics on and in our bodies--both personal and body-political--against a field of possibilities increasingly threatened by the privatization and colonization of the life-world. Writing a radical biopolitics--a "biopoethics"--would be that practice that articulates itself in resistant song, and, that in Lomax's expanded field, of necessity also dances, in paroxysms full of both rage and desire"--David Buuck.
