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Out of Time?
  • Language: en
  • Pages: 239

Out of Time?

Out of Time? has many different meanings, amongst them outmoded, out of step, under time pressure, no time left, or simply delayed. In the disability context, it may also refer to resistant attitudes of living in “crip time” that contradict time as a linear process with a more or less predictable future. According to Alison Kafer, “crip time bends the clock to meet disabled bodies and minds.” What does this mean in the disability arts? What new concepts of accessibility, crip futures, and crip resistance can be staged or created by disability performance? And how does the notion of “out of time” connect crip time with pandemic time in disability performance? The collective volume...

Vavega Ole Taumalulu
  • Language: en
  • Pages: 48

Vavega Ole Taumalulu

About the title: Vavega Ole Taumalulu (A True Story of the Winter Miracle) Vavega in Samoan means miracle and Taumalulu means winter. The story is about an eleven-year-old boy who planned and organized a runaway from his parentsaEUR(tm) home in Utah to return to Carson, California, to be with his grandparents. And he included his seven- and eight-year-old brothers in it. My uncleaEUR(tm)s name Vavega fits just right with the event because to me it was a miracle. So it is my tribute to him to use his name. The book is the corroboration of my faith as a converted member of the Church of Jesus Christ of Latter-day Saints, my past and present experiences, my upbringing in the faaSamoa (Samoan culture), and for living in the best county in the world.

The Loss of Small White Clouds
  • Language: en
  • Pages: 175

The Loss of Small White Clouds

This volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia’s representation in other artforms, while reflecting on theatre’s unique capacity to incorporate multiple artforms in a live context (hypermediacy). The author examines constructions of diegesis and the use of various performance tools, including physical theatre, puppetry, and postdramatic performance. She discusses stage representations of interior experiences of dementia; selfhood in dementia; the demarcation of those with dementia from those without; endings, erasure, and the pursuit of catharsis; placelessness and disruptions of traditional dramatic constructions of time; and ultimately, performances creatively led by people with dementia. The book traces patterns of narrativisation on the stage—including common dramaturgical forms, settings, and character relationships—as well as examples that transcend mainstream representation. This book is important reading for theatre and performance students, scholars, and practitioners, as well as cultural studies writers engaged in research about narratives of dementia.

Ethical Agility in Dance
  • Language: en
  • Pages: 347

Ethical Agility in Dance

This edited collection examines the potential of dance training for developing socially engaged individuals capable of forging ethical human relations for an ever-changing world and in turn frames dance as a fundamental part of human experience. This volume draws together a range of critical voices to reflect the inclusive potential of dance. The contributions offer perspectives on contemporary dance training in Britain from dance educators, scholars, practitioners and artists. Through examining the politics, values and ethics of learning dance today, this book argues for the need of a re-assessment of the evolving practices in dance training and techniques. Key questions address how the con...

Performing Human Rights
  • Language: en
  • Pages: 198

Performing Human Rights

This book enhances critical perspectives on human rights through the lens of performance studies and argues that contemporary artistic interventions can contribute to our understanding of human rights as a critical and embodied doing. This study is situated in the contemporary discourse of asylum and political art practices. It argues for the need to reimagine human rights as performative and embodied forms of recognition and practical honouring of our shared vulnerability and co-dependency. It contributes to the debate of theatre and migration, by understanding that contemporary asylum issues are complex and context specific, and that they do not only pertain to the refugee, migrant, asylum seeker or stateless person but also to privileged constituencies, institutional structures, forms of organisation and assembly. The book presents a unique mixed-methods approach that focuses equally on performance analyses and on political philosophy, critical legal studies and art history – and thus speaks to a range of politically interested scholars in all four fields.

Limnoecology
  • Language: en
  • Pages: 335

Limnoecology

This new edition will build upon the strengths of the earlier work but will be thoroughly revised throughout to incorporate findings from new technologies and methods (notably the rapid development of molecular genetic methods and stable isotope techniques) that have allowed a rapid and ongoing development of the field.

United States Department of Commerce Telephone Directory
  • Language: en
  • Pages: 216

United States Department of Commerce Telephone Directory

  • Type: Book
  • -
  • Published: 1991
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  • Publisher: Unknown

None

Dictionary of American Naval Fighting Ships
  • Language: en
  • Pages: 672

Dictionary of American Naval Fighting Ships

  • Type: Book
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  • Published: 1959
  • -
  • Publisher: Unknown

An alphabetical arrangement of the ships of the continental and United States Navies, with a historical sketch of each one.

Dictionary of American Naval Fighting Ships
  • Language: en
  • Pages: 672

Dictionary of American Naval Fighting Ships

  • Type: Book
  • -
  • Published: 1970
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  • Publisher: Unknown

None

Noa
  • Language: fr
  • Pages: 53

Noa

  • Type: Book
  • -
  • Published: 2006
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  • Publisher: Unknown

Noa Winter, peintre trentenaire, prépare son nouveau vernissage mais Magda dont l'aide lui serait précieuse, s'est absentée. Noa se sent bouleversée par ce départ, d'autant plus que ses relations avec Magda sont ambiguës. Karl, son agent et ami, décide de lui changer les idées en invitant Juan, un ancien amant