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The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking - key to new and future theatre.
The Tempest contains sublime poetry and catchy songs, magic and low comedy, while it tackles important contemporary concerns: education, power politics, the effects of colonization, and technology. In this guide, Alden T. Vaughan and Virginia Mason Vaughan open up new ways into one of Shakespeare's most popular, malleable and controversial plays.
Contemporary psychoanalysis needs less reality and more fantasy; what Michael Vannoy Adams calls the 'fantasy principle'. The Fantasy Principle radically affirms the centrality of imagination. It challenges us to exercise and explore the imagination, shows us how to value vitally important images that emerge from the unconscious, how to evoke such images, and how to engage them decisively. It shows us how to apply Jungian techniques to interpret images accurately and to experience images immediately and intimately through what Jung calls 'active imagination'. The Fantasy Principle makes a strong case for a new school of psychoanalysis - the school of 'imaginal psychology' - which emphasizes the transformative impact of images. All those who desire to give individuals an opportunity to become more imaginative will find this book fascinating reading.
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Spititual quest is at the very heart of poetry, but in the materialistic climate of the late twentieth century this has been almost forgotten, even by those claiming to be experts in interpreting literature. How does the worldview common to the main esoteric traditions of East and West correspond to the aims of such Romantic poets as Shelley, Keats, Blake, Coleridge, and Wordsworth? In Romanticism and Esoteric Tradition, Paul Davies maintains that only in the light of the spiritual teachings of these traditions can the poetry and thinking of the Romantics be understood as they intended. This is one of the first books to connect the creative nature of poetry to the core teachings of the esote...
Storyteller and ceremonialist Linda Sussman explores how to speak in a new way that is one that heals and transforms. She takes the epic story of the grail, as told by Wolfram von Eschenbach in "Parzival", as her guide. This tale weaves together Celtic, Oriental, Christian, Arthurian and alchemical sources. Linda Sussman sees "Parzival" as depicting the path of initiation to healing speech, to doing the truth in word and deed. First, she tells the story in a beautiful way, allowing the reader to reproduce within themselves the potent inner pictures of the text. Then she shows that it is not so much a path toward perfection, as the recovery of a right relationship to our imperfections. She shows, too that it is a path in which male and female aspects work together in the overcoming of evil.
An exploration of Freemasonry and its history, philosophy, symbols and practices.
Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the 'scientific' world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how Doctor Faustus reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition in...
Explores the wounded body in literature from Homer to Toni Morrison, examining how it functions archetypally as both a cultural metaphor and a poetic image.