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Klappentext: Rangoon was absorbed into the British Raj in 1855, having previously been more famed for its glorious Buddhist pagoda, the Shwedagon, than its economic and strategic possibilities. Under the British, the city became one of the most splendid in Asia, and with its magnificent colonial architecture, smart hotels and fabled high life it became known as the "Pearl of the Orient". Incorporating anecdote and period detail from both European and Burmese sources, this book recounts Rangoon's origins and development, both before and after the British annexation. It describes the way of life for both colonial and native, and aims to capture the atmosphere of the city through its various periods, in what has been a cocktail of ethnic diversity and cultural life. The author's text is accompanied by quotations from contemporary travel writers.
The fascinating life and work of an artist who captured some of the first photographs of the Far East are presented in this gorgeous volume.
This book traces the history of dance and theatre in Burma in the courts and the countryside, and describes the various dances, plays, and musical accompaniment that evolved as a result of the country's cultural and religious mix and its changing political circumstances.
A study of the often outrageous behaviour of the British government, driven largely by merchant and missionary interests, towards the Kingdom of Burma. Events surrounding the three Anglo-Burmese wars (1824-26, 1852, 1885-86), and the looting of riches from the Mandalay Palace are examined. This richly illustrated book documents the outrageous behavior of the British government, driven largely by merchant and missionary interests, toward the Kingdom of Burma. It presents a very concise and useful summary of events surrounding and leading up to the three Anglo-Burmese Wars (1824-26, 1852,
Arakan (Rakhaing) situated on the western part of Myanmar.
Thought to date from the twelfth century, Burmese puppet theatre is a dazzling blend of lifelike characters, songs, and courtly dialogue. Employed as a vehicle for both propaganda and protest, it draws on Burma's rich cultural and religious heritage for its plays and has had a marked influenceon other local art forms, particularly dance. Complete with many unpublished photographs, this colourful introduction describes the theatre's customs, rules, and changing patterns, and celebrates the remarkable beauty of the puppets and the skills of the puppeteers.
The collection of Burmese art housed at the Denison Museum in Granville, Ohio, USA, includes more than 1,500 objects dating from the late first millennium AD through the twentieth century. While particularly strong on textiles originating with minority groups in Burma, it also showcases Buddha images, lacquer objects, works on paper, manuscripts, wood carvings, and pieces made from bronze, silver, and ivory. Eclectic Collecting is both a catalogue of the collection and a scholarly examination of Burmese art.
Proceedings of the Council of Bombay against Pertaub Singh, 1793-1847, Raja of Sattara.
On the third Ango-Burmese War, 1885.