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Revista Psicología Educativa Volumen 3, Número 1, enero-diciembre 2015.
La RMPE es un foro plural que posibilita la divulgación de la amplia gama de temas, perspectivas teóricas, enfoques y metodologías cultivadas en el campo de la Psicología Educativa. Psicología Educativa ofrece un espacio abierto para investigadores, profesionales y estudiosos del área de la Psicología Educativa, es publicada por la Fundación Dra. Silvia Macotela A.C., bajo los auspicios de la Facultad de Psicología de la UNAMEste tercer número se edita después de un periodo en el que nuestra revista no pudo ser publicada en virtud de que se tuvieron algunos inconvenientes con el registro de la misma. Una vez solucionado este asunto damos inicio a la segunda época de la RMPE, en la que habrá continuidad en la aparición de la revista. Este número incluye aportaciones de autores de diversas universidades del país y de Hispanoamérica, lo que es congruente con la misión de constituir un foro plural y un espacio abierto para investigadores, profesionales y estudiosos de la Psicología Educativa.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
The Mosquito Bite Author
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
Mud Sweeter than Honey
"[An] incredibly moving collection of oral histories . . . important enough to be added to the history curriculum" Telegraph "A moving evocation of the 'everyday terror' systematically perpetrated over 41 years of Albanian communism . . . An illuminating if harrowing insight into life in a totalitarian state." Clarissa de Waal, author of ALBANIA: PORTRAIT OF A COUNTRY IN TRANSITION "Albania, enigmatic, mysterious Albania, was always the untold story of the Cold War, the 1989 revolutions and the fall of the Berlin Wall. Mud Sweeter Than Honey goes a very long way indeed towards putting that right" New European After breaking ties with Yugoslavia, the USSR and then China, Enver Hoxha believed ...
Killing the Water
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Time Commences in Xibalbá
Time Commences in Xibalbá tells the story of a violent village crisis in Guatemala sparked by the return of a prodigal son, Pascual. He had been raised tough by a poor, single mother in the village before going off with the military. When Pascual comes back, he is changed—both scarred and “enlightened” by his experiences. To his eyes, the village has remained frozen in time. After experiencing alternative cultures in the wider world, he finds that he is both comforted and disgusted by the village’s lingering “indigenous” characteristics.
Professor Andersen's Night
It is Christmas Eve, and 55-year-old Professor Pål Andersen is alone, drinking coffee and cognac in his living room. Lost in thought, he looks out of the window and sees a man strangle a woman in the apartment across the street. Professor Andersen fails to report the crime. The days pass, and he becomes paralysed by indecision. Desperate for respite, the professor sets off to a local sushi bar, only to find himself face to face with the murderer. Professor Andersen's Night is an unsettling yet highly entertaining novel of apathy, rebellion and morality. In flinty prose, Solstad presents an uncomfortable question: would we, like his cerebral protagonist, do nothing?
Can't and Won't
Can't and Won't is the new collection from Lydia Davis, one of the greatest short story writers alive. WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE 2013 Lydia Davis has been universally acclaimed for the wit, insight and genre-defying formal inventiveness of her sparkling stories. With titles like 'A Story of Stolen Salamis', 'Letters to a Frozen Pea Manufacturer', 'A Small Story About a Small Box of Chocolates', and 'Can't and Won't', the stories in this new collection illuminate particular moments in ordinary lives and find in them the humorous, the ironic and the surprising. Above all the stories revel in and grapple with the joys and constraints of language - achieving always the extraor...
Labyrinth
Notable International Crime Novel of the Year – Crime Reads / Lit Hub From a prize-winning Turkish novelist, a heady, political tale of one man’s search for identity and meaning in Istanbul after the loss of his memory. A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths. From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it? Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.
