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Como a visão é um importante sentido de alerta do homem, as imagens sempre exerceram sobre nós um grande fascínio. Os desenvolvimentos vertiginosos da comunicação visual, contudo, geraram uma inflação das imagens que passam a disputar com os corpos o espaço vital. O presente livro trata das relações entre corpos e imagens: ora as imagens se oferecem como alimento para os corpos, ora os corpos perdem sua identidade e se deixam devorar pelas imagens.
This volume was first published by Inter-Disciplinary Press in 2016. This volume is designed to introduce readers to the interactions and crossovers between culture and the city. The volume in fact intends to investigate urbanity as a cultural form on the basis of a broader and geographically representative collection of case studies. In particular it offers a stimulating range of inter-disciplinary perspectives showing that urban space manifests itself as an interpretative gaze, anchored in human life not just as something to look at but as a cultural form to live in socially.
This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and ...
This book is a new study on an unknown collection of war photos of the WW1 found in the Warburg Institute Archive in London. The photos were gathered by Aby Warburg (1866-1929), years before his famous unfinished work “Mnemosyne Atlas of Images”. The collection was found in the Warburg Archive in 2004 and has been little studied since then. With the support of Capes (Agency of the Brazilian Ministry of Education), the author carried out research on the photos and produced a catalogue of the collection. Based on this work, he clearly identified Warburg’s participation in the composition of the collection, from beginning to end, ruling out the hypothesis that the late German iconologist had no relation with the set of images.
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