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Eight-Track is composed of eight tracks (or series) plus two bonus tracks, each of which explores one of the various meanings of the word "track," such as a musical track, a physical path, the marks left by a person or animal, speech tracking, animal and human tracking, and systems of surveillance. Questions asked: How can a trace be sonically and visually embodied? What do our systems of surveillance reveal about ourselves? How does language oppress?
Expeditions, taken up by the explorers we all are, ultimately cannot be read. Only experienced. On venturing into it, you'll find your ticket is no good, expired, or valid only on Tuesday. Your fellow travellers will tell you you are wearing the wrong shoes. If you force your way past the gate, you will stub your toe, scrape your shins, lose your suitcase, throw the book across the room in a fit of outrage or fall under its spell and suddenly find it half-submerged in your bathwater. At times, you will even laugh aloud. Expeditions of a Chimï¿1/2ra is dialogic. Four pairs of hands try their luck at a game of cards. Nearby, questions sit, waiting to be asked. These expeditions are not progressions but digressions; they are translational in their effort to pull the author, kicking and screaming, out of the hat of authorial impossibilities. Expeditions expedites you into a circus: there is disguise, an acrobatic puff of smoke, a clown's painted face, a human cannonball and, down below its tightrope, an arena full of pawprints, with no net to catch your fall. Otilia Acacia
An annotated, commented and revised translation of Rosalía de Castro's Follas Novas (1880) [New Leaves]. A contemporary version of the Erín Moure 2016 translation from the original Galician, traversed by the thoughts and links and memorations of the translator. A book of thinking, in which Rosalía de Castro's own thinking comes more into the clear, and thus her relevancy to poetry, to women, and to migrants today.
With undeniable verve, Oana Avasilichioaei upends expectations of literature and poetry in this fascinating collection. We, Beasts is a fairy ta≤ a book within a book; a collection of verse; a mediation on language, real and imagined and a sly social commentary all in one.
This book promotes interdisciplinary dialogue about untranslatability and its implications within the context of globalization. It examines at the pragmatics of translation practice, the role of the translator’s voice and the translator as author in specific literary works, and case studies across a variety of genres and traditions across regions.
Catnip for bibliophiles, collectors, designers, and museum lovers. Marginalia give the reader a meta-text, wonderful illustrations, and a prize-winning design.
Summary: "Creative Community Planning provides clear access to emerging innovations in artistic, narrative, embodied and technological methods, exploring the frontiers of community engagement within a fresh sustainability framework. Academics, professionals and community members increasingly acknowledge that multiple perspectives enrich planning outcomes. Furthermore, it's acknowledged that the engagement process itself can create imaginative forums and spaces to nurture understanding and empathy for ourselves and for our environments. Reflecting on the wide continuum of participatory practice, the authors of Creative Community Planning discuss the work of planning theorists, researchers and practitioners engaging a diversity of people living in ever changing communities. The authors discuss how engagement practices are enhanced using practices such as visioning and participatory research processes, poetry, theatre, film, websites and exercises to access the creative ideas of all ages, including children and young people."--Publisher description.
Sixteen essays exemplify the progress of interdisciplinary research, collaboration, and publishing surrounding Canadian women's writing.
A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.
This highly original book explores the idea and potential of psychology in the context of ethical theory, and the idea of ethics in the context of psychology. In so doing, it not only interrogates how we come to understand ethics and notions of right behaviour, but also questions the discipline of psychology and how it functions in the 21st century. Neill turns psychology inside out, controversially suggesting that psychology no longer exists as we know it. He proposes a rebirth of psychology based on an intricate and detailed examination of who we really are, and how we come to structure this idea of ourselves. Taking the idea of ethics seriously, Neill allows us to see psychology in a tota...