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Poetry. THE BUTCHER'S REINCARNATION, the most recent volume of poems by the Chilean master Óscar Hahn, is a selection of some of his most dystopian works on life in the nuclear age. The madness of war, the pathos of needless carnage, mankind's apparent march toward self-annihilation, and existence as it might have been are all lamented with understated lyricism in these pages. This is the first full-length book of Hahn poems to appear in Spanish-English bilingual format in over a decade, translated here by G. J. Racz in collaboration with the author.
Rhythmic and vibrant, these poems are brimming with life and overflowing with meaning. First published in Buenos Aires as Arte de morir in 1977, this collection features the original poems side-by-side with their English translations. The book brings the powerful artistry of Hahn to a wider audience that suits the multicultural veins that weave in and out of his poems, and represents the collection that brought Hahn to light as a significant writer in world poetry.
This collection of poems employs different forms, such as sonnets and free verse in both English and the original Spanish. It includes the poems, John Lennon 1940-1980, Sigmund Freud Under Hypnosis and Fixed Stars in a White Sky.
Alive with the wisdom, artistry, and emotion of more than 250 poets from nearly one hundred countries, this anthology celebrates the multifaceted experience of contemporary manhood. The lives into which these poems invite us reveal the influences of culture, heredity, personal experience, values, beliefs, wishes, desires, loves, and betrayals. Men are notoriously reluctant to open up and discuss these things; and yet when they do--as in these poems--they tell us about their families, lovers, relationships, political and religious beliefs, sexuality, and childhoods. There is much to learn here about who men are and how they see their worlds. Collects close to three hundred poems, in English o...
This bilingual collection brings together renowned Chilean poet Oscar Hahn's two most recent works, Apariciones profanas (2002; translated here as Profane Apparitions), and En un abrir y cerrar de ojos, the winner of Spain's Casa de America Award (2006; translated here as In the Blink of an Eye) in one stunning volume. Hahn's work has been hailed by Mario Vargas Llosa as "magnificent and truly original... the most personal I've read in the poetry of our language in a long time." And in Ashes in Love, Hahn beautifully affirms his reputation as the premier poet of his generation. In these outstanding poems, Hahn displays an uncompromising intelligence and strength, blending horror and humor with droll inventiveness. A sly craftsman, Hahn has assimilated poetic tradition, but is not a slave to it: he employs a wide range of poetic techniques, opening himself to the possibilities of mystery, song, and story.
The more than two dozen personal essays in this new collection by one of Texas's master storytellers range from travel pieces about Havana and London to stories about small-town exotics that are funny, nervy, outlandish, and all characterized by James Hoggard's sly wit and his noted openness to people he meets along the way. Fast-paced, yet at the same time reflective, Hoggard guides his readers into some of the wonderfully strange turns of the world, including a Saturday morning gathering of khaki-dressed men who have hunkered down at a Dairy Queen to get away from their women who want them to spend the day doing chores. At the same time they see Hoggard as a bicycle-riding exotic who finds it normal to go out and bike 60-odd miles before lunch. Now and then the encounters are hair-raising, sometimes scary, but Hoggard always provides the kind of interior monologues that draw upon both deep reading and deep observation.
In 1872 Susan Eberhart was convicted of murder for helping her lover to kill his wife. The Atlanta Constitution ran a story about her hanging in Georgia that covered slightly more than four full columns of text. In an editorial sermon about her, the Constitution said that Miss Eberhart not only committed murder, but also committed adultery and "violated the sanctity of marriage." An 1890 article in the Elko Independent said of Elizabeth Potts, who was hanged for murder, "To her we look for everything that is gentle and kind and tender; and we can scarcely conceive her capable of committing the highest crime known to the law." Indeed, at the time, this attitude was also applied to women in general. By 1998 the press's and society's attitudes had changed dramatically. A columnist from Texas wrote that convicted murderess Karla Faye Tucker should not be spared just because she was a woman. The author went on to say that women could be just as violent and aggressive as men; the idea that women are defenseless and need men's protection "is probably the last vestige of institutionalized sexism that needs to be rubbed out."
Conjuring the voice of Edward Hopper, this collection of poetry investigates the mind of an iconic American painter. The poems convey both frightening and amusing messages as "Hopper" commentates on his own paintings--from the iconic Nighthawks to his depiction of his wife and himself taking a final bow in Two Comedians--as well as those of other artists. Shocking in their honesty, these poems also provide a window into the American Modernist period due to their biographical nature and evaluations of the visual arts.
"Only one generation away from the pioneers who first broke the soil, Kiowa Falls is surrounded by newly discovered oil fields. Yet the daughter of the town's mayor, Ru-Marie, is a well-read young Romantic and budding artist. Her tastes in love, her parents insist, are not so refined. As they throw off their sham of civil behavior, a bitter family war erupts and with it, frontier justice"--Jacket flap.