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he theatrical culture of Tibet is probably the last to remain virtually unknown to the outside world, and to the West in particular. As well as describing the current situation of studies on Tibetan theatre, the current volume also provides an essay on imagination and how it is concretely manifested by the Tibetan people and their actors. Recent decades have seen radical change for Tibetan theatre, ache lhamo, now performed by a diaspora for whom a declining artistic and technical change derives from an uncertain politics concerning secular and popular culture, as well as the ongoing cultural genocide caused by China’s subjection of Tibet.
Tibetan text by Losal Dondup (Gongkar Choede); English text by Mathias Fermer (University of Vienna, Austria). Dehradun: Gongkar Choede Monastery, 2024. Tibetan and English; 312 mm x 252 mm; 216 illustrations, appendices A-D.
Asian Horizons is published in honour of the great scholar of Asia, Professor Giuseppe Tucci (1894–1984). Through the work of present-day scholars, both senior and emerging, this volume represents their efforts to maintain the impetus of the profound legacy Tucci left. Renowned to this day as a founding scholar in an extraordinarily wide variety of disciplines, as well as being an explorer of hitherto largely unknown lands, such as Tibet, Tucci gained a deep knowledge of Asia through a familiarity with its people, places and literature. His contribution to modern scholarship is nothing less than remarkable. The volume reflects the broad variety of topics in which Tucci himself displayed deep interest and serves as an homage to his work.
The Festschrift celebrates Franz-Karl Ehrhard, Professor of Tibetan and Buddhist Studies at the Ludwig Maximilian University of Munich from 2003 to 2019. Offered on the occasion of his 65th birthday, it comprises 26 papers by friends and colleagues to honour his outstanding and far-reaching contributions to the field of Tibetan Studies. Mirroring Franz-Karl Ehrhard's research interests, the papers centre on the religious and literary traditions of Tibet and the Himalayas, including sacred geography, religious history, philosophy, and studies in textual production and transmission.
Modern Italian historiography has undergone a substantial revision in the last quarter of a century. From an almost exclusive focus on the process of nation-building, the attention of historians has shifted. The most innovative research is now devoted to assessing to what extent the cosmopolitan attitude that was evident in the late eighteenth century morphed, but did not disappear, in the ensuing two centuries. The essays in this volume make the case that the age of nations had a profound impact on Italian history and contributed to the creation of an Italian identity within the framework of well-functioning imperial and global networks. They also acknowledge that the process of national individualization carried with it a variety of aspects that reconnected Italian history to the foreign cultures that were undergoing constant self-fashioning. Cosmopolitan Italy in the Age of Nations: Transnational Visions from the Eighteenth to the Twentieth Century will be of interest to scholars throughout the world and intellectual and transnational historians.
This book is a thorough study, based on both the textual and archaeological data, of the three important temple consecration rituals of the Hindu tradition.
Focusing on extreme environments, from Umberto Nobile’s expedition to the Arctic to the commercialization of Mt Everest, this volume examines global environmental margins, how they are conceived and how perceptions have changed. Mountaintops and Arctic environments are the settings of social encounters, political strategies, individual enterprises, geopolitical tensions, decolonial practises, and scientific experiments. Concentrating on mountaineering and Arctic exploration between 1880 – 1960, contributors to this volume show how environmental marginalisation has been discursively implemented and materially generated by foreign and local actors. It examines to what extent the status and...
The present volume offers a dozen studies of manuscripts of the Tibetan Bon and Naxi Dongba traditions across time and space. While some of the contributions focus on particular features of manuscripts from either tradition, others explicitly bridge the two by considering common codicological and material aspects of selected examples or common themes in the content of the texts. This is the first primarily object-based study to deal with the cultural history and technology of books from the two traditions. It discusses collections of Bon and Naxi manuscripts, the concepts and history of both traditions, the science and technology of book studies as it relates to these collections, the relationship between text and image, writing materials, and the historical and archaeological context of the manuscripts’ places of origin. The authors are specialists in different fields including philology, anthropology, art history, codicology and archaeometry. The contributions shed light on trade routes, materials and technologies as well as on reading practices and ritual usage of Bon and Naxi manuscripts.