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This series offers a wide forum for work on contact linguistics, using an integrated approach to both diachronic and synchronic manifestations of contact, ranging from social and individual aspects to structural-typological issues. Topics covered by the series include child and adult bilingualism and multilingualism, contact languages, borrowing and contact-induced typological change, code switching in conversation, societal multilingualism, bilingual language processing, and various other topics related to language contact. The series does not have a fixed theoretical orientation, and includes contributions from a variety of approaches.
As Rome extended its influence throughout Italy, gradually incorporating its various peoples in a process of Romanization and conquest, its religion was extensively influenced by the cults of religious practices of its new subjects and citizens. It was a period of intense religious ferment and creativity. Roman religion, controlled and determined by religious and political functionaries who mediated between humans, had centred on a select pantheon of gods with Jupiter at its head. It was a religion in the process of becoming the servant of the state, however genuine its priests and votaries might be. Understanding the dynamics of religious change is fundamental to understanding the changing culture and politics of Rome during the last five centuries B.C. Religion in Archaic and Republic Rome and Italy tells that story.
Best known as the author of the Decameron, Giovanni Boccaccio is a key figure in Italian literature. In the mid-fourteenth century, however, Boccaccio was also deeply involved in the politics of Florence and the extent of his involvement steered and inspired his work as a writer. Boccaccio’s Florence explores the financial, political, and social turbulence of Florence at this time, as well as the major players in literary and political circles, to understand the complex ways they emerged in Boccaccio’s writing. Based on extensive archival research and close reading of Boccaccio’s works, the book aims to recover the dynamics of the Florentine conspiracy of 1360 and how this event affected Boccaccio’s writing, arguing that his works reveal clear references to this episode when read in light of the reconstructed historical context. In this rich and textured picture of the man in his time, Elsa Filosa documents a microhistory of connections and interconnections and offers new, more political and historically imbedded readings of Boccaccio’s seminal works.
This book presents a theoretical and empirical framework to interpret the possible configurations of the integration between performance management and risk management systems as part of management control systems. The book provides an overview of the development paths of these three systems, outlining the evolution and the current development of these disciplines, highlighting emerging issues and providing some original considerations. The author uses both an inductive and deductive approach in shaping the proposed framework, and includes the perspective of practitioners and academics on the topic. Based on a multiple case study in listed companies and a survey administered to small and medium enterprises, this book provides readers with valuable insights to adapt the proposed framework in different business contexts.
This volume examines the applicability of central place theory in contemporary archaeological practice and thought in light of ongoing developments in landscape archaeology, by bringing together ‘central places’ and ‘un-central landscapes’ and by grasping diachronically the complex relation between town and country, as shaped by political economies and the availability of natural resources. Moving away from model-bounded approaches, central place theory is used more flexibly to include all the places that may have functioned as loci of economic or ideological centrality (even in a local context) in the past. Fourteen chapters examine centrality and un-central landscapes from Prehistory to the late Middle Ages in different geographical contexts, from Cyprus and the Levant, through Greece and the Balkans to Italy, France, and Germany.
"Explores how diplomatic interpreters, converts, and commercial brokers mediated and helped define political, linguistic, and religious boundaries between the Venetian and Ottoman empires in the sixteenth and seventeenth centuries."--Author's Web site.
Through meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe. Chapters present a broad geographical perspective showcasing examples of modelling, firing, painting, and gilding of clay in Portugal, Spain, Italy, Germany, and the Netherlands. The volume considers known artworks by celebrated artists, such as Luca della Robbia, Andrea del Verrocchio, Filipe Hodart, or Hans Reichle, in parallel with several lesser-studied terracotta sculptures and tin-glazed earthenware made by anonymous artisans. This book challenges arbitrary distinctions into the fine art and the applied arts, that obscured the image of artistic production in the early modern world. The centrality of clay in the creative processes of artists working with two- and three-dimensional artefacts comes to the fore. The role of terracotta figures in religious practices, as well as processes of material substitutions or mimesis, confirm the medium’s significance for European visual and material culture in general. This book will be of interest to scholars working in art history, Renaissance studies, and material culture.
This work starts from one of the most complex issues that the economic operator of the late Middle Ages had to face in order to carry out his activities, namely a constantly up-to-date understanding of the systems of weights and measures in use on the different markets, in order to rationally set their business strategies. The critical analysis of the best-known market practices and of an impressive amount of documents from the business archive of the merchant Francesco Datini from Prato (common and specialised correspondence, accounting) allowed to identify Genoa's weight system - a privileged point of view - and to compare it with the systems of other countries, which had an economic relationship with the city. Moreover, it has been possible to define the packaging used , goods by goods, with their relative weights and tares.