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Stealing the Show
... Highlights the artistic achievements of seven prominent Canadian women artists: Marcelle Ferron, Anne Kahane, Rita Letendre, Gathie Falk, Joyce Wieland, Jerry Grey, and Colette Whiten ... who received most of the commissions awarded to women between 1958 and 1988.
Picturing the Land
The vast Canadian landscape has captured the imagination of visual artists since the first European contact. Although artistic engagement with the landscape has a long history, some periods have drawn considerable critical attention, while others have been left almost unexamined. Picturing the Land surveys work from coast to coast, from the earliest maps to postwar painting in English and French Canada, To provide a comprehensive view of Canadian landscape art. Emphasizing the ways in which social, economic, and political conditions determine representation, Marylin McKay moves beyond canonical images and traditional nationalistic interpretations by analyzing Canadian landscape art in relation to different concepts of territory. Taking an expansive and inclusive perspective on Canadian landscape art, McKay depicts this tradition in all its diversity and draws it into the larger body of Western landscape art, broadening the horizon of future study, appreciation, and criticism. Richly illustrated and filled with sophisticated and innovative commentary, Picturing the Land provides new and distinct histories of the landscape art of French and English Canada.
Land Sliding
New discusses the ways in which Canadian writing, through images of land and space, expresses various assumptions about social values. In addition to wide range of literary texts, he also draws upon geography, the social sciences, and the visual arts.
Rethinking Professionalism
The first collection of scholarly essays on women and art in Canadian history.
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
The Plasticiens and Beyond
By the mid-1950s, young Montreal artists were turning their backs on the surrealist spontaneity of the Automatistes. Painting in Montreal paralleled the New York pattern of following the "hot" of abstract expression with the "cool" of post-painterly abstraction. But Montreal produced a late modernist practice markedly distinct and independent from New York's -- a movement known as the Plasticiens. Sumptuously illustrated, this volume features 75 paintings by Louis Belzile, Charles Gagnon, Yves Gaucher, Jean Goguen, Jauran (Rodolphe de Repentigny), Jean-Paul Jérôme, Denis Juneau, Fernand Leduc, Guido Molinari, Fernand Toupin, and Claude Tousignant.
Seeing Comics through Art History
This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice.
