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Bardon is an ex-art teacher who supplied materials to the artists of Papunya when stationed there in the early T70s. This is a record of his association with them, accompanied by colour reproductions of 20 artists' work with explanations of the symbolism used.
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Catalogue for exhibition that tells the story of the emergence of one of the most dynamic movements in Australian art history with its constellation of painters such as Rover Thomas, Mick Namarari, and Emily Kame Kngwarrye.
Analysis written within wider context of contemporary art.
This collection of materials may include brochures, flyers, invitations, postcards and other print ephemera associated with Papunya Tula Artists.
Popular style outline of desert cosmology and the desert habitat; lists five groups at Papunya as Aranda, Anmatjira Aranda, Wailpri, Loritja and Pintupi; paintings part of dreaming ceremonies; acrylic paintings combine elements of sand paintings, body decoration, and ritual elements; technique of preparing ground surface for painting; materials used; womens designs; Papunya in 1971; beginnings of paintings on school; development of painting movement; first sales; friction with government policies; meaning of name, Papunya Tula; list of artists with personal details and examples of their work with interpretations; Bardons theories of Papunya Tula art; symbols used.