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Field Notes from a Waterborne Land
In the late 2000s, when the three-decade-long Left Front rule in West Bengal was crumbling, Parimal Bhattacharya began to travel outside the well-trodden urban centres to different parts of the region - from the Sundarbans to tribal Jangalmahal, from the outskirts of Kolkata to villages on the Bangladesh border, from the floodplains of the Hooghly to the forests of Simlipal in neighbouring Odisha. There, he encountered: a woman who was branded a witch because she was listed in the census as literate; an island that vanished famously, only to resurface; a paralysed communist who dreams about the death of a river; a forest community who believe they are descendants of the Harappans; an old mil...
Conversations with Bharati Mukherjee
The first naturalized citizen to win the National Book Critics Circle Award, Bharati Mukherjee (b. 1940), born into a rigid hierarchy as a Bengali Brahmin and raised in the elite of Calcutta society, joined the American masses by choice. This journey from a privileged yet circumscribed life to one of free will and risk supplied the experiences she has turned into literature. From her first interview, originally published over three decades ago in her native tongue Bengali in the Calcutta journal Desh and appearing here for the first time in English, to an in-depth interview in 2007 granted specifically for this collection, this volume provides a candid look at the woman who has been called the grande dame of diasporic Indian literature.
No Path in Darjeeling Is Straight
For a few years in the early 1990s--at a time when the embers of a violent agitation for Gorkhaland were slowly dying down--Parimal Bhattacharya taught at the Government College in Darjeeling. No Path in Darjeeling Is Straight is a memory of his time in the iconic town, and one of the finest works of Indian non-fiction in recent years. Parimal evocatively describes his arrival, through drizzle and impenetrable fog, at a place that was at odds with the grand picture of it he had painted for himself. And his first night there was spent sleepless in a ramshackle hotel above a butcher's shop. Yet, as he tramped its roads and winding footpaths, Darjeeling grew on him. He sought out its history: a...
Bells of Shangri-La
Almost all of the Himalayas had been mapped by the time the Great Game - in which the British and Russian empires fought for control of Central and Southern Asia - reached its zenith in the latter half of the nineteenth century. Only Tibet remained unknown and unexplored, zealously guarded and closed off to everyone. Britain sent a number of spies into this forbidden land, disguised as pilgrims and wanderers, outfitted with secret survey equipment and tasked with collecting topographical knowledge, and information about the culture and customs of Tibet. Among them was Kinthup, a tailor who went as a monk's companion to confirm that the Tsangpo and the Brahmaputra were the same river. Sarat C...
Journey to Lhasa
In 1874, the brilliant civil engineer Sarat Chandra Das was recruited by the British as a spy in Darjeeling. The Empire wanted to train local agents to gather in-depth intelligence about Tibet--a mysterious kingdom closed off to all outsiders for years--in order to consolidate their position in South Asia and outplay Russia in the Great Game. Equipped with hidden compasses, hundred-bead rosaries (to discreetly measure distances), and an excellent knowledge of Buddhism and the local language, Das set out into the harsh early winter of 1881, through the snow-filled passes of Sikkim and Nepal on his second foray into Tibet. Though an agent of its enemy, Das fell in love with the land of his mis...
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Bells of Shangri-La: Spies, Invaders in Tibet
Bells of Shangri-La brings to vivid life the journeys and adventures of Kinthup, Sarat Chandra Das and others, including Eric Bailey, an officer who was part of the British invasion of Tibet in 1903.
The Caravan
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
The Caravan
The Caravan is India’s most respected and admired magazine on politics, art and culture. With a strong literary flair, the magazine presents the best of reportage and commentary on politics, policy, economy, art and culture from within South Asia. It has become an essential read for anyone interested in understanding the political and social environment of the country.
The Indian Partition in Literature and Films
This book presents an examination of fictional representations, in books and films, of the 1947 Partition that led to the creation of the sovereign nation-states of India and Pakistan. While the process of representing the Partition experience through words and images began in the late 1940s, it is only in the last few decades that literary critics and film scholars have begun to analyse the work. The emerging critical scholarship on the Partition and its aftermath has deepened our understanding of the relationship between historical trauma, collective memory, and cultural processes, and this book provides critical readings of literary and cinematic texts on the impact of the Partition both ...
