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The collection comprises six letters from Russel Ward to Tom Brislan, telegrams, newspaper clippings and a black and white photograph of Brislan (1 folder).
The Cold War was a turbulent time to grow up in. Family ties were tested, friendships were torn apart and new beliefs forged out of the ruins of old loyalties. In this book, through twelve evocative stories of childhood and early adulthood in Australia during the Cold War years, writers from vastly different backgrounds explore how global political events affected the intimate space of home, family life and friendships. Some writers were barely in their teens when they felt the first touches of their parents’ political lives, both on the Left and the Right. Others grew up in households well attuned to activism across the spectrum, including anti-communism, workers’ rights, anti-Vietnam War, anti-apartheid and women’s rights. Sifting through the key political and social developments in Australia from the end of World War II to the early 1990s, including the referendum to ban the Communist Party of Australia, the rise of ‘the Movement’ and the Labor split, and post-war migration, this book is a powerful and poignant telling of the ways in which the political is personal.
What is Lisztomania, and how was it cured? Who was Drog, and what was his prophecy regarding Electronic Music? What preparation do you need before throwing an artistic tantrum? The plausible answers to these and many other tantalising questions can be found in this wickedly funny - and occasionally just wicked - book."
Supporting Vulnerable Performance Traditions: Keeping it Going in Contexts of Continuity and Change explores endangered forms of performance from across the world, and the aspirations of practitioners, community members and researchers to keep these traditions going. Readers are provided with an ethnographically rich focus on specific performance contexts in diverse cultural worlds, including case studies that cover: Irish traditional song, ritual performances from southern India, Aboriginal ceremonial songs from northern and central Australia, Latin Catholic rites in multicultural Australia, and Asian-Portuguese syncretic dance in Sri Lanka. With contributors who are all scholars and/or pra...
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In this third of 4 volumes that include more than 800 composers and over 30,000 compositions Stephen traces the history and development of Classical music in Australia. From obscure and forgotten composers to those who attained an international reputation this volume reveals their output, unique experiences and travails. The formation and demise of music ensembles, institutions, venues and festivals is part of the story and included in the narrative are performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists. A concise yet comprehensive picture of Australian music making can be found in any given year.