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In the river city of Varanasi, the bodies of the devout dead are cremated and their ashes scattered. But now a lethal chemical is swirling down the river. Attorney George Sansi suspects a rich and invincible magnate.
These essays on literary theory, philosophy, and cultural criticism describe, in their form and content, the end of criticism, even while performing the endlessness of that endgame. In a sense, the book deconstructs all forms of critique and criticism, including deconstruction, and including its own self. That the book is so painfully aware of the futility of its own enterprise, even while pursuing it relentlessly and with such critical rigor, is what makes this a book of masocriticism as well as about masocriticism.
These essays on literary theory, philosophy, and cultural criticism describe, in their form and content, the end of criticism, even while performing the endlessness of that endgame. In a sense, the book deconstructs all forms of critique and criticism, including deconstruction, and including its own self. That the book is so painfully aware of the futility of its own enterprise, even while pursuing it relentlessly and with such critical rigor, is what makes this a book of masocriticism as well as about masocriticism.
Great Britain does not negotiate with terrorists. Shock waves are felt throughout the world when members of the IRA hijack the royal yacht Britannia with Queen Elizabeth and Prince Philip on board, demanding the removal of British troops from Northern Ireland within seven days. With the support of a Middle Eastern terrorist group and a British traitor, the hijackers stand off against British and American naval forces, while the British government agonises over the choice before them. Time is running out fast, and tensions in Belfast, in the British government and among the hijackers quickly reach their limit. As the pressure mounts, British and American special forces come together to pull off a spectacular rescue attempt that has only one chance to succeed.
SHORTLISTED FOR THE POETRY PIGOTT PRIZE IN ASSOCIATION WITH LISTOWEL WRITERS' WEEK A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold our attention.
Littlemore College is in a picturesque village just outside Oxford. Its calm surroundings have seen generations of aspirant priests pray and train. As far the outside world is concerned, human passions are restrained by devotion to a higher calling. But this is the 1990s and women are training for priesthood for the very first time and passions are running high and at Littlemore College's enclosed and febrile heart a small group of brilliant young ordinands, the favoured students of the charismatic and controversial Medievalist, Professor Albertus Loewe are asking themselves some very dangerous questions indeed. When Catherine Bolton arrives with her freshly-minted doctorate on Chaucer and the Church, Dr Loewe and his secretive group of students represents an irresistible challenge to her and her new friend Evie Kirkland. But just as Evie is not quite the friend she seems to be, so too the medieval passions of Dr Loewe's group are more far reaching and intense than she could ever have imagined.