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Subcontinental Synthesis
The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor. Subcontinental Synthesis explores the history of India’s first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity. The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism. Contributors Geeta Dayal, Alannah Chance, Matt Williams, Shilpa Das, Jinraj Joshipura, You Nakai, Rahila Haque, and Paul Purgas
Sound Practices in the Global South
This book develops a comprehensive understanding of the unique sound worlds of key regions in the Global South, through an auto-ethnographic method of self-reflective conversations with prominent sound practitioners from South Asia, Africa, the Middle East and Latin America. The conversations navigate various trajectories of sound practices, illuminating intricate sonic processes of listening, thinking through sounds, ideating, exposing, and performing with sound. This collection of conversations constitutes the main body of the book, including critical and scholarly commentaries on aural cultures, sound theory and production. The book builds a ground-up approach to nurturing knowledge about...
AUDINT-Unsound:Undead
Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and hol...
Computer Rhythm
A visual history of the instrument that has shaped the sound of modern music. This collection of 100 drum machines spans the period from the advent of early analogue rhythm computers in the 1950s to present day innovations and contemporary digital designs. Alongside new colour photographs of each instrument is a detailed text expanding on its hidden history, examining its production and musical heritage and locating it within a wider cultural context. In considering drum machines as both pioneering musical instruments and as beautiful objects, this offers a compelling guide.
The 1970s is Here and Now
The 1970’s was marked by a seismic change that occurred in the representation of ideas in architecture as they appeared monthly on the pages of AD. The magazine bears out the energetic, experimental, environmentally-conscious and ultimately pluralist culture that prevailed throughout the 1960’s, carrying it through to the emergence of Post-Modernism in the late 1970’s. This issue of AD presents a 'Cosmorama for Now', looking at such subjects as housing, schools, health, urban design and planning. Contributors will include amongst others: Jon Goodbun, FAT, Kester Ratternbury, David West of Will Aslop Architects, Liza Fior of Muf, Jeremy Till, Nic Clear, Robert Webb, John-Paul Frazer, Pauline van Mourik Brekman and Simon Worthington of Mute Magazine, Sand Helsel, Will McLean & Pete Silver, Adam Kalkin, Chris Muller, Samantha Hardingham.
A short history of electronic music
The majority of books covering the birth and development of electroacoustic and electronic music do seem to only give us a partial overview of this peculiar aspect of contemporary cultural production; essays and monographs provide an androcentric view on the subject, rarely mentioning the contribution of inventresses, female composers and theorists. The “young” age of electronic music – together with the traditional privilege granted by historians to the productions of North America and some European countries – contribute in obstructing the drafting of a paritary, diagonal and comprehensive view of this topic. This book aims to open a new perspective on electronic music history; If ...
No Wave
Flashing through New York in the late 1970s, No Wave was the ultimate anti-movement. Its bands consisted of untrained artists looking to explode rock and disappear before the smoke cleared. The primary perpetrators all drew on primitivism, performance art, and the avant-garde. But they were best known for short songs and even shorter life spans. No Wave traces the history of this unique movement, from early pioneers like Suicide to Richard Hell, to hidden treasures like Red Transistor and 8-Eyed Spy, to descendents like ESG and Sonic Youth. No Wave is a comprehensive guide to a movement whose influence still resonates today.
Home Voodoo
This book features essays by Tom Trevor and Eva Maria Stadler. This catalogue accompanies the first major solo exhibition in the UK for the internationally renowned Austrian artist-duo, Lois and Franziska Weinberger. The diverse media employed in their practice incorporates sculpture, found objects, text pieces, large-scale mural drawings and maps, slide works, photography, video installations and site-specific interventions.
Listen Up!
«Listen Up!» versammelt die ersten 313 Sonntags-Popletter, die der Musikjournalist Benedikt Sartorius im Wochentakt zwischen dem 8. März 2015 und dem 21. März 2021 verschickt hat. In diesen sechs Jahren ist eine Art popmusikalisches Tagebuch entstanden, das sich im Takt der Neuveröffentlichungen, der Konzertagenden, Hypes, persönlichen Befindlichkeiten und der Welt, die unablässig dreht, immer weiter bewegt
