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Dictionary of South & Southeast Asian Art
This basic dictionary of South and Southeast Asian art offers clear and concise explanations of hundreds of useful terms. With over 1,300 entries and 112 line illustrations, this volume makes a handy reference for anyone interested and engaged in South and Southeast Asia Entries range from terms encountered in South and Southeast Asian history, religion, mythology, literature, to those specific to art and architecture, and are drawn from the diverse religious traditions of the region.
Literary Research and Postcolonial Literatures in English
Postcolonial literatures can be defined as the body of creative work written by authors whose lands were formerly subjugated to colonial rule. In previous volumes of this series, the research literature of former British colonies Australia, Canada, Ireland, and New Zealand have been addressed. This volume offers guidance for those researching the postcolonial literature of the former British colonies in Africa, the Caribbean, and South Asia. Among the forty nations represented in this volume are South Africa, India, Pakistan, Ghana, Jamaica, Swaziland, Belize, and Namibia. With the exception of South Africa (which formed the Union of South Africa in 1910), this guide picks up its coverage in 1947, when both India and Pakistan gained their independence. The literature created by writers from these nations represents the diverse experiences in the postcolonial condition and are the subject of this book. The volume provides best-practice suggestions for the research process and discusses how to take advantage of primary text resources in a variety of formats, both digital and paper based: bibliographies, indexes, research guides, archives, special collections, and microforms.
Teaching South and Southeast Asian Art
This volume challenges existing notions of what is “Indian,” “Southeast Asian,” and/or “South Asian” art to help educators present a more contextualized understanding of art in a globalized world. In doing so, it (re)examines how South or Southeast Asian art is being made, exhibited, circulated and experienced in new ways in the United States or in regions under its cultural hegemony. The essays presented in this book examine both historical and contemporary transformations or lived experiences of monuments and regional styles (sites) from South or Southeast Asian art in art making, subsequent usage, and exhibition-making under the rubric of “Indian,” “South Asian,” “or “Southeast Asian” Art.
Southeast Asia
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Dictionary of South and Southeast Asian Art
From abhayamudra through ziarat, this is an essential dictionary for anyone stepping into the fascinating world of South and Southeast Asian art. With over 700 entries, 78 line illustrations, and 15 color photographs, this basic dictionary makes a handy reference for anyone interested and engaged in South and Southeast Asia. Explanations are succinct and easy to understand. Entries range from terms encountered in South and Southeast Asian history, religion, mythology, and literature, to those specific to art and architecture. Words are drawn from the diverse religious traditions of the region, including Buddhism, Hinduism, Islam, Jainism, Sikhism, and Taoism, and from the countries of the region, including Burma, Cambodia, India, Indonesia, Laos, Sri Lanka, Thailand, and Vietnam.
A Journey of Ethnicity
The Cham people are thought to be descendants of the kingdoms of Champa located in central Vietnam between the 2nd and 19th centuries. Champa was one of the oldest Hinduinized kingdoms in Southeast Asia, and became prosperous through maritime trades and its high quality eaglewood from the central highlands made it famous. However, Champa disappeared from the political map of Southeast Asia after its defeats against the Vietnamese southward expansion. The Cham are now one of the 54 state-recognized national ethnic groups, but Champa’s ancient brick structures and temples scattered along central Vietnam attest to its previous glory. Champa adapted a number of foreign religions such as Hindui...
SPAFA Journal
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Business Review
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A Heritage of Ruins
The ancient ruins of Southeast Asia have long sparked curiosity and romance in the world’s imagination. They appear in accounts of nineteenth-century French explorers, as props for Indiana Jones’ adventures, and more recently as the scene of Lady Lara Croft’s fantastical battle with the forces of evil. They have been featured in National Geographic magazine and serve as backdrops for popular television travel and reality shows. Now William Chapman’s expansive new study explores the varied roles these monumental remains have played in the histories of Southeast Asia’s modern nations. Based on more than fifteen years of travel, research, and visits to hundreds of ancient sites, A Her...
Reviews
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