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I Die with My Country
The Paraguayan War (1864?70) was the most extensive and profound interstate war ever fought in South America. It directly involved the four countries of Brazil, Argentina, Uruguay, and Paraguay and took the lives of hundreds of thousands, combatants and noncombatants alike. While the war still stirs emotions on the southern continent, until today few scholars from outside the region have taken on the daunting task of analyzing the conflict. In this compilation of ten essays, historians from Canada, the United States, Germany, Argentina, Brazil, and Uruguay address its many tragic complexities. Each scholar examines a particular facet of the war, including military mobilization, home-front activities, the war?s effects on political culture, war photography, draft resistance, race issues, state formation, and the role of women in the war. The editors? introduction provides a balance to the many perspectives collected here while simultaneously integrating them into a comprehensible whole, thus making the book a compelling read for social historians and military buffs alike.
The Art of History
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Media, Sound, and Culture in Latin America and the Caribbean
Outside of music, the importance of sound and listening have been greatly overlooked in Latin American history. Visual media has dominated cultural studies, affording an incomplete record of the modern era. This edited volume presents an original analysis of the role of sound in Latin American and Caribbean societies, from the late nineteenth century to the present. The contributors examine the importance of sound in the purveyance of power, gender roles, race, community, religion, and populism. They also demonstrate how sound is essential to the formation of citizenship and nationalism. Sonic media, and radio in particular, have become primary tools for contesting political issues. In that ...
The Invention of Argentina
The nations of Latin America came into being without a strong sense of national purpose and identity. In The Invention of Argentina, Nicholas Shumway offers a cultural history of one nation's efforts to determine its nature, its destiny, and its place among the nations of the world. His analysis is crucial to understanding not only Argentina's development but also current events in the Argentine Republic. The nations of Latin America came into being without a strong sense of national purpose and identity. In The Invention of Argentina, Nicholas Shumway offers a cultural history of one nation's efforts to determine its nature, its destiny, and its pl
The Argentine Generation of 1837
This book is the first comprehensive study of Argentina's talented 1837 generation and the multiple contributions of its members throughout five decades of public involvement. Author William Katra's objective is to elucidate historical and biographical concerns and the most important ideological aspects of their thought and writings.
Children of Facundo
DIVCombines peasant studies and cultural history to revise the received wisdom on nineteenth-century Argentinian politics and aspects of the Argentinian state-formation process./div
Argentina's Partisan Past
Argentina's Partisan Past is a challenging new study about the production, spread, and use of national history and identity for political purposes in twentieth-century Argentina. Based on extensive study of primary and published sources, it analyzes how nationalist views about what it meant to be Argentine were built into the country's long protracted crisis of liberal democracy from the 1930s to the 1980s. Eschewing the notion of any straightforward relationship between cultural customs and political practices, the study seeks instead to provide a more nuanced framework for understanding the interplay between politics and narratives about national history. The book is a valuable resource to both students of Argentine history and those interested in the ways in which nationalism has shaped our contemporary world.
Facundo and the Construction of Argentine Culture
Domingo F. Sarmiento's classic 1845 essay Facundo, Civilizacion y Barbarie opened an inquiry into the nature of Argentinian culture that continues to the present day. In this elegantly written study, Diana Sorensen Goodrich explores the varied, and often conflicting, readings that Facundo has received since its publication and shows how these readings have contributed to the making and remaking of the Argentine nation and its culture. Goodrich's analysis sheds new light on the intersection between canon formation and nation-building. While much has been written about Facundo as a primary text in Latin American letters, this is the first study that locates it within the problematics of canon formation and the cultural, social, and political contexts in which conflicting interpretations are constructed. This new approach to Facundo illuminates the interactions among institutions, cultural ideologies, and political life. This book will be important reading for everyone interested in questions of national identity and the institutionalization of a national tradition.
Culture of Class
Following the mass arrival of European immigrants to Argentina in the early years of the twentieth century new forms of entertainment emerged including tango, films, radio and theater. While these forms of culture promoted ethnic integration they also produced a new kind of polarization that helped Juan Peron to build the mass movement that propelled him to power.
