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Europe is a word that is almost daily on our lips. But how far do we have to go back in order to find the origins of its name? The first part of this beautifully illustrated book traces the geographical and mythological basis of Europe's name. Who came up with the idea to distinguish the world in continents with proper names? The search will bring the reader back to the early history of mankind. How did the ancient Egyptians see the world and populations around them? Where did the Hebrews get the idea to split the world in three? And what was the world-picture in ancient Greece, laid down in geographic treatises and fragments? Where did the name 'Europe' originate from? Could it be from a pe...
This volume investigates competing ideas, images, and stereotypes of a European ‘East’, exploring its role in defining European and national conceptions of self and other since the eighteenth century. Through a set of original case studies, this collection explores the intersection between discourses about a more distant, exotic, or colonial ‘Orient’ with a more immediate ‘East’. The book considers this shifting, imaginary border from different points of view and demonstrates that the location, definition, and character of the ‘East’, often associated with socio-economic backwardness and other unfavourable attributes, depended on historical circumstances, political preferences, cultural assumptions, and geography. Spanning two centuries, this study analyses the ways that changing ideals and persistent clichéd attitudes have shaped the conversation about and interpretations of Eastern Europe. Europe and the East will be essential reading for anyone interested in images and ideas of Europe, European identity, and conceptions of the ‘East’ in intellectual and cultural history.
In this book, author D. R. M. Irving traces the emergence of such large-scale categories as "European music" and "Western music," showing how they originate from self-fashioning in contexts of intercultural comparison outside the European continent rather than the resolution of national aesthetic differences within it. Taken as a whole, this study demonstrates how reductive labels for the musics of a continent or a hemisphere often imply homogeneity and essentialism, and how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
The French Jesuit Pierre-François-Xavier de Charlevoix’s 1744 journal of his voyage through French North America—New France, Louisiana, and the Caribbean—is among the richest eighteenth-century accounts of the continent’s colonization, as well as its indigenous inhabitants, flora, and fauna. Micah True’s new translation of this influential text is the first to appear since 1763. It provides the first complete and reliable English version of Charlevoix’s journal and reveals the famous Jesuit to have been a better literary stylist than has often been assumed on the basis of earlier translations. Complemented by a detailed introduction and richly annotated, this volume finally makes accessible to an Anglophone audience one of the key texts of eighteenth-century French America.
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Europe and the British Geographical Imagination, 1760-1830 explores what literate Britons of the period understood about 'Europe', focussing on key themes which shaped ideas about the continent, including religion, the natural environment, race, the state, borders, commerce, empire, and ideas about the past, progress, and historical change.
Die Diskussion über den Euro-Rettungsplan, die Finanzhilfen für Griechenland, Portugal und Irland, die Einführung schärferer Grenzkontrollen durch Dänemark haben einen neuen Streit über die Europäische Union entfacht. Driften die europäischen Staaten nach 60 Jahren der immer intensiveren und weiträumigeren Integration wieder auseinander? Spiegeln die Wahlbeteiligungen bei den Europawahlen eine Systemkrise? Geht uns der Sinn für die europäischen Gemeinsamkeiten verloren? Die "Europäischen Erinnerungsorte" leisten einen Beitrag zur Standortbestimmung. Autorinnen und Autoren aus mehr als 15 Ländern folgen der Annahme, dass es eine Vielzahl von Erinnerungsorten gibt, die für EuropÃ...