You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Distinguished scholars and artists consider the mingling of Eastern and Western cultures and traditions in theatre. The divergent cultures of East and West had been completely separated from one another for so long that their mutual discovery, beginning a little more than a hundred years ago, has had fascinating and invigorating results, especially in the drama. This volume gathers papers, discussion notes, and essays on three major topics: Kabuki and the West; Crosscurrents in the Drama: East and West; and Theatrical Influences between East and West: Enrichment through Borrowings, Appropriations, and Misinterpretations.
Disguise devices figure in many early modern English plays and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study, Hyland examines various conceptual and practical issues that provide a background to theatrical disguise and goes on to consider a range of plays under three broad headings: moral issues, social issues, and aesthetic issues.
This family history explores the ancestry of the Wagenbach and Wiegand families. The book traces the origins of these families in Germany, among Amish Mennonites in Switzerland and France, and in Puritan England, culminating in the emigration of the two families to the United States. The book then continues to follow the evolution of the two families up to the present. In each of these phases, members of the Wagenbach and Wiegand families adhered to nonconformist religious traditions that set them apart from their contemporaries and exemplified the biblical notion that "narrow is the path which leadeth onto life and few there be that find it." My goal is to provide future generations of these families with an accurate and inspiring understanding of their past.
None
Sir Walter Raleigh's biographers have given little attention to his tragic relationship with his son Wat (Walter). They began in proud identification, each seeing himself in the other. But after the father's political downfall and imprisonment for treason, he lost his authority in the family, and the son began to reject paternal advice and his studies and to engage in violent quarrels and duels. Often the father used his influence to rescue his son from his rash acts. Things came to a head after Wat was sued by a young woman for violent assault, and imprisoned. The aged Raleigh had been freed from the Tower to lead an expedition to Guiana, and--as recently discovered documents reveal--he delivered his son from the law by commissioning him as a captain on his flagship, ominously named the Destiny. In a shared tragedy, Wat was killed in a skirmish, and the grieving Raleigh returned to England, broken in spirit and ready for the execution that awaited him.
"This book provide a comprehensive coverage of the latest and most relevant knowledge, developments, solutions, and practical applications, related to e-Health, this new field of knowledge able to transform the way we live and deliver services, both from the technological and social perspectives"--Provided by publisher.
The Great Irish Famine claimed the lives of one million people, mainly from the lower classes. More than a million others fled the stricken land between 1845 and 1851. In recent decades, its history has become the focus of considerable scholarly and popular attention, but much remains to be retrieved and reconstructed, particularly at the level of the rural poor. This book fills that gap. It is based on a large volume of reports on social conditions in the Irish localities, emanating from within those localities, that has never been used systematically by historians. It bears the compelling title of the ‘Death Census’. Most historians are simply unaware of its existence. The outstanding feature of the Death Census is that it was authored by local clergymen who lived among the people they served and were intimately involved with their lives. This book brings the Death Census together in composite form for the first time and provides a detailed examination of its contents. The result is new understanding of the Great Famine as it was experienced on the ground.
In the early seventeenth century, the London stage often portrayed a ruler covertly spying on his subjects. Traditionally deemed 'Jacobean disguised ruler plays', these works include Shakespeare's Measure for Measure, Marston's The Malcontent and The Fawn, Middleton's The Phoenix, and Sharpham's The Fleer. Commonly dated to the arrival of James I, these plays are typically viewed as synchronic commentaries on the Jacobean regime. Kevin A. Quarmby demonstrates that the disguised ruler motif actually evolved in the 1580s. It emerged from medieval folklore and balladry, Tudor Chronicle history and European tragicomedy. Familiar on the Elizabethan stage, these incognito rulers initially offered ...