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How have poets in recent centuries been able to inscribe recognizable and relatively sincere voices despite the wearing of poetic language and reader awareness of sincerity’s pitfalls? How are readers able to recognize sincerity at all given the mutability of sincere voices and the unavailability of inner worlds? What do disagreements about the sincerity of texts and authors tell us about competing conceptualizations of sincerity? And how has sincere expression in one particular, illustrative context – Russian poetry – both changed and remained constant? An Indwelling Voice grapples, uniquely, with such questions. In case studies ranging from the late neoclassical period to post-postmodernism, it explores how Russian poets have generated the pragmatic framings and poetic devices that allow them to inscribe sincere voices in their poetry. Engaging Anglo-American and European literature, as well as providing close readings of Russian poetry, An Indwelling Voice helps us understand how poets have at times generated a powerful sense of presence, intimating that they speak through the poem.
One of the challenges in higher education is helping students to achieve academic success while ensuring their personal and vocational needs are fulfilled. In this updated edition more than thirty experts offer their knowledge in what has become the most comprehensive, classic reference on academic advising. They explore the critical aspects of academic advising and provide insights for full-time advisors, counselors, and those who oversee student advising or have daily contact with advisors and students. New chapters on advising administration and collaboration with other campus services A new section on perspectives on advising including those of CEOs, CAOs (chief academic officers), and CSAOs (chief student affairs officers) More emphasis on two-year colleges and the importance of research to the future of academic advising New case studies demonstrate how advising practices have been put to use.
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Irony (as used here) is a rhetorical and literary device for revealing “what is hidden behind what is seen.” It thus offers the reader a superior understanding by means of the distinction between reality and its shadow. The book provides a history of different definitions of irony, from Aristophanes to Booth; discusses the constitutive formal elements of irony and the functions of irony; then studies particular aspects of the Matthean Passion Narrative that require the reader to recognize a deeper truth beneath the surface of the narrative.