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This controversial book is an impassioned African response to the racial stereotyping of African people and people of African descent by prominent white scholars. It highlights how the media contributes to the growth of racist ideas, particularly in reporting current events in Africa, and demonstrates how some of America's most revered intellectuals cloak racist ideologies in ostensibly egalitarian discourses. The author seeks to rewrite the image of 'race' in order to show the damage racism can cause serious scholarship.
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Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1971 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
An intimate memoir of the late British actor Terence Rigby by notable screenwriter and close friend, Juliet Ace. "I simply regard him as one of the best actors in Britain." The Guardian theatre critic Michael Billington "This book should be read by anyone who likes the theatre." Director and actor Peter Eyre. In a post card, Rigby wrote to Juliet: "Have you made much headway with the scandalizing version of my biography? I've certainly started on yours." But as director and critic Ned Chaillet notes in his foreword, "Juliet Ace has written much more than a 'scandalizing' life of the wonderfully memorable and professionally esteemed actor that was Terence Rigby " He was one of Harold Pinter's...
A reconstruction of the history and customs of the Gogo people of Africa, based in part on oral histories, tribal legends and myths. This work was first published in Swahili in 1954 and was sponsored by the British Colonial government in an attempt to promote "tribal" cohesion.
Focusing on the Ilparakuyo Maasai of Kenya and Tanzania, Peter Rigby discusses why third world development policies with regard to pastoral societies are inappropriate and likely to fail. A political economy of development, Rigby maintains, must incorporate historical, cultural, linguistic, and even aesthetic dimensions of the peoples involved. Using ethnography and other research materials, and basing his understanding on his years of living with the people he writes about, the author illuminates the culture and explores the prospects for a distinct section of pastoral Maasai--the Ilparakuyo. In addition, he attempts to develop a historical materialist theory of language in relation to a sp...
Winner of the 2014 Brittingham Prize in Poetry, selected by Naomi Shihab Nye The word tyrant carries negative connotations, but in this new collection, Joanne Diaz tries to understand what makes tyranny so compelling, even seductive. These dynamic, funny, often poignant poems investigate the nature of tyranny in all of its forms political, cultural, familial, and erotic. Poems about Stalin, Lenin, and Castro appear beside poems about deeply personal histories. The result is a powerful exploration of desire, grief, and loss in a world where private relationships are always illuminated and informed by larger, more despotic forces. Winner, Midwest Book Award for Poetry, Midwest Independent Publishers Association"
Considers an important dimension in understanding culture