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Boundaries in Medieval Romance
Medieval romance frequently, and perhaps characteristically, capitalises on the dramatic and suggestive possibilities implicit in boundaries - not only the geographical, political and cultural frontiers that medieval romances imagine and imply, but also more metaphorical demarcations. It is these boundaries, as they appear in insular romances circulating in English and French, which the essays in this volume address. They include the boundary between reality and fictionality; boundaries between different literary traditions, modes and cultures; and boundaries between different kinds of experience or perception, especially the 'altered states' associated with sickness, magic, the supernatural, or the divine.
Malory's Library
Ralph Norris collects the results of over 100 years of scholarship, providing new discussions of the major sources of the eight tales recognised in the standard edition of Sir Thomas Malory's 'Morte d'Arthur'. He reveals much about how the work was created and about Malory himself.
Understanding Genre and Medieval Romance
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter addresses the questions of how exactly romance might be defined and how such an awareness of genre impacts upon both the understanding and reception of the texts in question.
Imagining Iberia in English and Castilian Medieval Romance
An innovative comparative study of Middle English and medieval Castilian romance
The Transmission of Medieval Romance
Romances were immensely popular with medieval readers, as evidenced by their ubiquity in manuscripts and early print. The essays collected here deal with the textual transmission of medieval romances in England and Scotland, combining this with investigations into their metre and form; this comparison of the romances in both their material form and their verse form sheds new light on their cultural and social contexts. Topics addressed include the singing of Middle English romance; the printed transmission of romance from Caxton to Wynkyn de Worde; and the representation of the Otherworld in manuscript miscellanies.
The Oxford History of Poetry in English
This volume explores a range of English verse from 1400 to 1500. It studies specific genres and modes of fifteenth-century verse, the contexts for its creation, the material forms of its transmission, and some of its individual practitioners.
Medieval French on the Move
When Keith Busby published his field-shaping Codex and Context in 2002, the work was referred to as ‘groundbreaking’ and ‘monumental’. It prompted scholars of medieval literature to return to manuscripts in their droves. However, Busby’s Codex and Context would also enact another, more gradual movement. His formulation of the term ‘medieval Francophonia’ to describe the presence, power and effect of French outside France would filter steadily into academic enquiry. The term and concept are now widely recognised and applied in global scholarship, including in multiple major projects dedicated to the topic. This volume brings together a series of cutting-edge studies of medieval ...
Female Devotion and Textile Imagery in Medieval English Literature
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this perio...
Monstrous Fantasies
Monstrous Fantasies asks why medieval romances reimagining the crusades ending in a Christian victory circulated in England with such abundance after the 1291 Muslim reconquest of Acre, the last of the Latin crusader states in the Holy Land, and what these texts reveal about the cultural anxieties of late medieval England. Leila K. Norako highlights the impact that the Ottoman victory and subsequent massacre of Christian prisoners at the battle of Nicopolis in 1396 had on intensifying the popularity of what she calls recovery romance. These two episodes inspired a sense of urgency over the fate of the Holy Land and of Latin Christendom itself, resulting in the proliferation of romances in wh...
Arthurian Studies in Honour of P.J.C. Field
Studies range over the whole field of Arthurian literature, in Europe and North America, with special focus on Malory and Morte Darthur.
